A man dies in this world by a fist of trees, more than by our love. When I was young, muscles were carved from the minerals so we could be forgiven. And yet, at the greeting of the birds, I loved the work, loved its respite, with which I wrote, the silt of our fears. It rains this September in our world. I've gained more from its wear. Who am I to be yours in this compulsory century, but a father, without possessive? I loved. I loved. I love presently. I fly its unavoidable flag, that trade, a match for us in the cold, a room in September, our whitening bones, humid in our melancholy. There's nothing more to do but make it ours. I waited with my lamp to assemble birds for you, then release them, as if I were a child, to understand you, like the fresh water that washed over my hands.
Un hombre muere en algún mundo por el puño de un árbol, más que por nuestro amor. Cuando yo era pequeño, se labró un músculo de su mineral para ser perdonado. Y sin embargo, ante el saludo de los pájaros, amé la labor, su respiro, que escribía con la mugre de nuestras ansias. Llueve como septiembre en este mundo. Tengo más por su desgaste. ¿Quién soy yo para ser suyos en este siglo compulsorio, sino un padre, pero sin posesivo? Amé. Amé. Yo amo. Tengo su bandera insoslayable. Ese oficio para nosotros como fósforo en el frío en un cuarto de septiembre con nuestros huesos blancos, húmedos por la melancolía. Queda más nada que hacerlo nuestro. Esperaba con mi lámpara para inventar pájaros para ustedes e impulsarlos como cuando pequeño, para entenderlos, como el agua fresca que me dejó las manos.
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Jonathan Green's Late Night Live travels through time with James Shapiro on what Shakespeare can tell us about an increasingly divided America and Emily Brand on the scandalous behaviour of the family of poet Lord Byron.
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"The most influential genre of Classical Chinese Poetry is called ‘regulated verse’ (各路诗), and these forms gather the world into words and refold them into inter-resonant patterns on a cosmological scale. Each monosyllabic word must be stacked in relation to the one before and after, above and below until the whole rests upon a final balanced point, as relaxed and exact as a cairn of transparent quartz."
