Franny Choi 
Your country's memory is short. But know this:    We can still hear the planes, their death-knell hum—
           We live, have been living, with this threat    circling our heads like we were carrion,
                    staining the earth we still call home     despite the pictures, which know only how
                  to mark what happened. The choices     to tell one truth at a time. Our names were
                    made in the dry mouths of children,     napalm, ravaged paddies, lung cancer. Names,
            sewn straight into our breasts. We live—      like ghosts, reverberate. The bad memories
                         have to live somewhere. Why not     in the body? They climb to the surface,
                          smother doubt to save the family     from war's muck. War: the only surname
               we're responsible for. The only sunlight     on our unmarked graves. Our sustenance
                       is this story spun from the records,    amid your savage freeze. So we married fear,
     and we've taken its name as our own. Yes, we     salvaged these small lives. We're free, at least, to
            sob and shudder, yes, and feed our babies,   remember the acrid clouds we dripped from,
                                 and cling to them—as if we're the bad ones—for dear, stupid life.
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The Larkin Family
"Here You Are Talking About Duck Again"
 
Letters Home 1936-1977 collects the last major unpublished archive of British poet, Phillip Larkin: his letters to his family. In his review, Mark Ford asks, "What made it impossible...for [Larkin] to escape the legacy of his childhood? His response to his hatred was complex and contorted, yet was also in many ways central to his concept of poethood."

via LONDON REVIEW OF BOOKS
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"I was in college in a small school in Central Pennsylvania and must have ended up in the large lecture hall to hear Maya Angelou by accident, if not for an assignment....The experience sent me off into the stacks to read for myself some of the poems I had heard Angelou read. Rereading I realized I could begin to rehear the music I had heard in person; following the lines, as I read out-loud, I felt my own voice approximate the same sounds. This was thrilling and utterly new.
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