Valerie Witte
[
To make
a strong
skeleton
two or
more reeling
silk
borders
fields
form the sea
what
a mouth
wants
the ends
of limbs
]



[3.1]

To make a strong skeleton reestablish the laminar, forestalling
breakdown, theoretically | She was starting to disappear
herself
| a thing used to represent | erasure
when subverting anatomy | the crest between
nipple and lip, suspended a mesh
of muscle as arteries | enable locomotion, flagella
to swim | an elaborate network reduced
to backbones | A draft of air so often betrayed her | what whiskers are
to cats | A reminder: what a scalp could
stand in for
| little holes hold eyes, set close | as most
will answer | overlook our forests
the impossibility of trees |



[3.2]

Receptors that register rigid | embed a head round
as a mouth | And she became practiced at avoiding
capture
| a caterpillar devouring a slight
hump inoffensive, a spine, especially connective
tissue | tendon, ligament abundant
in the gut, intervertebral | Was this really a disease | gelatin irreversibly
hydrolyzed | Or an underlying condition of which she was pretty
surprised
| a quarter-moon outlined five
pairs of false legs eliminated periodically, whole | She knew naked
skin as a liability
| because the pleasure | The apparent
futility of countering heredity
| or lobed separately female and male, pendulous
catkins grown in rows |



[3.3]

Braided, plaited, tucked and tacked on the dorsal
side imperceptible variation | What she might have tried in other
terrains
| striations hewn in moving ice, or any of the proteins
parallel | Bit or pinched off here or here | excavating
the first multicellular organisms are stigmata through which silk
borders fields | Of follicles miniaturized | a cluster
of roads stitched | tunics | When losing was negligible she preferred
intuiting
| a saw's steel teeth serrated | The sweetest
constituent, sugar
| for the matrices | Also, honey |



[3.4]

Engineered for mastication a tangled mass | Had she tired of light
therapy
| colonies cut from the filling
machine | six legs in the shape
of a rib cage | roving | She wanted to be regenerated | flanked
by five bunches tied | as a thorax is a chamber in which
such fruits are situated | Innovative, sueding
a nap raised, please
| a brick of steam between pegs | expelling
outermost | slivers clamped, a membrane | When dilated, a vessel
more triangular
| And she called it spring |
from the book A RUPTURE IN THE INTERIORS / Airlie Press
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In writing "A Rupture in the Interiors", I sourced text from books about silk and the evolution of human skin, interweaving my own language drawn from personal challenges with skin and hair. Centering the experience of a female figure, the poems themselves are all centered. This chapter opener poem uses only language from the rest of poems in the chapter, stripping the images down to their most basic and visceral. 
 
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"I find in Jean's new poems a refreshing childlike quality alongside lifelong gratitude, welcoming us into the midst of play with an intuitive sense of belonging: 'Old life, / I'm glad, all my rubbed life, I was found, / I was written on a wall in air.' I think of Jean, like a pilgrim, trespassing (or did she receive permission?) on Dickinson's grave on a snowy day to make the rubbing that hung on her wall."

via LOS ANGELES REVIEW OF BOOKS
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