Diannely Antigua
When my upstairs neighbor invites me to her baby shower,
               I feel guilty about forgetting to bring in my recycling bins,
again. I am a bad neighbor, but she's going to be a mother
               so she'll have to practice forgiveness on someone first. Usually,
I'm a people pleaser. I am a people. I was born
               with all of the people I could ever create inside me. I try
to forgive them—their dirty handprints on my skirt, their towels
                left on the bathroom floor. We blessed the baby
while we tied around our wrists one long, red string.
                For a moment, the string connected us—wives, mothers,
and me, neither—until it didn't, until the scissors severed
                us, made a bracelet of the blood string. I told the baby,
I give you this wrist. The world will break all your blessings
                if it wants, and believe me, baby, most of the time, it wants.
from the book GOOD MONSTER / Copper Canyon Press
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I grew up in a strict religious cult and was told from a young age that my purpose in life was to be a wife and mother. Although I’ve managed to disentangle myself from this system, I feel the pull of motherhood still, to mother or to be mothered. This poem is my grappling with what motherhood could look like, for me, for others. 

Diannely Antigua on "Blessing the Baby"
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A sculpture of Rabindranath Tagore sits within the garden of Shakespeare's Birthplace
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"Rabindranath Tagore, who was born in 1861, was the first non-European writer to be awarded the Nobel Prize in Literature. The event on 5 May will be filled with performances and a ceremony to remember the writer, who was so inspired by Shakespeare that he wrote a poem in his honour. It will mark Tagore's 163rd birthday, which has been celebrated since a sculpture of the poet was unveiled nearly 30 years ago."

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What Sparks Poetry:
Lindsay Turner on "Forms of Displeasure"


"In The Upstate, I was trying to connect the regional experience of a place, a certain corner of Southern Appalachia, with the bigger structural issues of America of 2016-2020, roughly, and of the world. I was trying to do this in poems because it’s also what I was trying to do in real life, struggling against the claustrophobia of depression and anxiety as well as of certain region-based patterns of writing and thinking."
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