Dan Chiasson

Mural, David Teng Olsen, 2017

Through his eyes I see in the dark.
I see through change the static.
Night says to day, You do you,
then emerges bright as a peacock,

its black drapery embroidery
smiley faces looking vaguely smashed.
Day had a state-of-the-art screen
accentuate each pixelated daisy.

You could kill the backlit spectacle
and use it as a mirror of the stars
or take the comfort on its merits.
Tomorrow will be worse, it cooed.

Dave put a feeding tube up where
the sun don't shine, the moon
going, Did you have to? Did you?
then smiling to show it didn't mind.

Louis had the breakthrough moment
on what looked to be a pizza slice:
It's the cover of your book, he said—
Dad, it's the cover of your pizza book—
from the book THE MATH CAMPERS / Alfred A. Knopf
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Color head shot of Manglesh Dabral
Hindi Poet Manglesh Dabral Succumbs to Covid

“He was one of those poets who brought a new sensibility to contemporary Hindi poetry, a new sophistication, the way to use language in a very low key and concentrated form. He was not a showy poet, but in his understated fashion, he brought magic to Hindi poetry."
 
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Cover image of Eva Kristina Olsson's The Angelgreen Sacrament from the original Swedish publication
What Sparks Poetry:
Johannes Göransson on "The Angelgreen Sacrament"


"In difference to the traditional lyric model, where any 'inconsistencies' make the artwork suspect, Martell argues that it is these very rifts that open the poem up, throw the reader into a 'real' of artistic encounter. I would say that Olsson’s book is a 'rifted' lyric. It’s a lyric but it goes on too long, it confuses who is reader and who is writer, who is angel and who is human. It even confuses the angel with a dress worn as a teenager."
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