"CONCERTS OF SPACE"
M. C. Richards
                     For Lucy Rie

I was looking at a friend's bookshelf
                                         this morning
and I thought I saw a book with the title:
                                        "CONCERTS OF SPACE"
and my heart leapt!: "What a poetic title!" I exclaimed,
          (hearing music of the spheres and heavenly harmonies!)
And then my gaze lengthened, and the words read:
          "CONCEPTS" OF SPACE. Never mind, I said to myself,
                                                                        (and perhaps aloud),
I shall write a poem and call it "Concerts of Space,"
and it shall be for Lucy Rie
          and the cup and saucer she made, and gave to me on Sunday.

Your pots are decisions, Lucy Rie,
          decisions, forms, and emblems: mots.
No, no, they are pots of clay,
timbres of darkness and light,
suffered through, come safely through.
Your hands, Lucy Rie, conduct them through the fire:
                                                              "concerts of space."
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"Seamus Heaney Was a Reluctant Radical"

"Heaney devoted a lifetime to such figurative bell ringing, pulleying the ropes in the hope of summoning a sky-clear music rather than the deafening thud of weighted sadness that often came in its stead. The 'strumming, rooted, long-tailed pull of grief,' the slow rain of wounded lives and slipping memories, seemed to accompany even the most buoyant of lyric epiphanies his verse conveyed."

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What Sparks Poetry:
Martin Mitchell on Carol Ann Duffy's The World's Wife


"In a way, though, the mundanity of the real story gets at the heart of The World's Wife: throughout the book, our meticulous cultural inheritance—our gods, our legends, our myths, our grandest stories—are stripped of their sheen and recast on a smaller, human scale. The collection is comprised of a series of dramatic monologues from the perspectives of the women who have been sidelined, overlooked, omitted."
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