Occasionally an automated e-mail
or a person I just met halves my name,
addresses me as Dear Ae,
not knowing this
to also mean Dear Love,

*

Are these the names they call themselves too,
I wonder: Sparrowhawk— Bluethroat—
Many times, I've not recognized
myself— a fistful of dark feathers
caught between a caller's teeth.

*

At a coffee shop, I introduce myself as Ruth.
The cashier scribbles it down on the cup,
says, What an American name!
about the woman
who had become a foreigner
for a foreigner.
from the book ASTERISM / Tupelo Press
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Cover image of the anthology, Poemhood, edited by Taylor Byas, Amber McBride and Erica Martin
Black Poetics with Dr. Taylor Byas

"We thought about our own educational experiences, how we learned about the mythologies and folklore of other people in the school systems but never our own. I remember very clearly having entire units dedicated to Greek mythology, but Black folklore wasn’t built into the curriculum in the same way. We feel that the traditions, customs, and stories of Black people are necessary to study, and [we] wanted to create something that would hopefully help educators make that space in their classrooms."

viaTHE RUMPUS
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Cover image of Al-Saddiq Al-Raddi's book, A Friend's Kitchen
What Sparks Poetry:
Shook on Al-Saddiq Al-Raddi's "Asylum Papers"


"Working closely with Saddiq, we developed an intimate process of co-translation across continents. Starting with Bryar’s initial cribs, we returned to the Arabic together, experimenting and reworking the transfer of some poems’ complicated syntax into English and unpacking the poems’ many allusions. Because of our close relationship with Saddiq, we were able both to clarify imagery specific to the Sudanese context and to seek his approval for some of the bolder leaps we hoped would make his poetry sing in English as it does in Arabic."
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