Peter Jay Shippy 

Because the navigator didn't understand that the crease in the map depicted a crease in the sea, the ship had to weigh anchor. The captain forced the navigator to row a dinghy through the line, to reckon its effects.


Meanwhile, in the galley, the cook was creating a bouillabaisse—conger eel, sea robins, fennel, cod bones, bouquet garni, saffron, mussels, olive oil, garlic, white wine, smoke of the afterlife, French bread, cayenne pepper, little neck clams, tomato paste, and Thibault, the very lobster that was conducted through the streets of Paris by Gérard de Nerval.


Concurrently, the navigator was remembering a poem about a boy who thought the crescent moon was a broken moon and the stars were its pieces. He could smell the soup. At least, he thought, as the water began to churn, I'll have something good to eat tonight.

from the book KAPUTNIKS / Saturnalia Books
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The 3,600-year-old artefact tells part of the Epic of Gilgamesh
"The Epic Adventures of the Gilgamesh Dream Tablet" 

"An ancient clay tablet displaying part of the story of a superhuman king has been formally handed over to Iraq by the US. Known as the Gilgamesh Dream Tablet, the 3,600-year-old religious text shows a section of a Sumerian poem from the Epic of Gilgamesh."

via BBC
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What Sparks Poetry: 
Heather Green on Dan Beachy-Quick's Stone-Garland


"Beachy-Quick introduces each poet, then 'sings another's song' through his translations, reifying each speaker's preoccupations, whether love or lust, revenge or financial ruin, aesthetic wonder or the transience of life. Throughout the book, we find all manner of fragments: poems torn in half, lines cut short mid-word, and other poems, according to Beachy-Quick, assembled from various incomplete texts, 'held together not by fact, but by resonance.'"
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