Rachel Eliza Griffiths

All Saints Cemetery, Wilmington, Delaware
Ordinary days deliver joy easily
again & I can’t take it. If I could tell you
how her eyes laughed or describe
the rage of her suffering, I must
admit that lately my memories
are sometimes like a color
warping in my blue mind.

Metal abandoned in rain. My mother
will not move. Which is to say that
sometimes the true color of
her casket jumps from my head
like something burnt down
in the genesis of a struck flame.

Which is to say that I miss
the mind I had when I had
my mother. I own what is yet.

Which means I am already
holding my own absence
in faith. I still carry a faded slip of paper
where she once wrote a word
with a pencil & crossed it out.

From tree to tree, around her grave
I have walked, & turned back
if only to remind myself
that there are some kinds of
peace which will not be
moved. How awful to have such
wonder. The final way wonder itself
opened beneath my mother’s face
at the last moment. As if she was

a small girl kneeling in a puddle
& looking at her face for the first time,
her fingers gripping the loud,
wet rim of the universe.
from the book SEEING THE BODY / W. W. Norton & Company
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I am often able to look more clearly at these wild and gorgeous trees growing old in the cemetery than when I try to see and accept my mother's young headstone. The work of this poem might be, today, to look at both with joy.” 

Rachel Eliza Griffiths on "Elegy"
Informal black-and-white photograph of Cathy Wagner
"On Exploiting the Labor of a Dear Friend"

"As Cathy’s publisher it is my job to make her book known; as her friend it is my privilege to know her intimately; at the intersection of publisher and friend is the real, the conditions we choose not to ignore. I hope she will approve this formulation. Fence labors to gather visibility so that it can conserve and amplify weirdos like Cathy."
 
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What Sparks Poetry:
Jennifer Chang on "The World"


"For days I could go nowhere. The temperature dwelled stubbornly below freezing. The roads were too slick to walk on. My car was encased in ice, a solid blue cube, and, quite comically, a red bicycle, leaning against a nearby shed, seemed to be waiting for me. I sat at the window, wearing two sweaters, looking at it."
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