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Lillian-Yvonne Bertram
Because this is a still a poem with an animal in it
                           and I am still trying—I might say "it offers you
its meaty heart, with no lasting conditions."

If you've seen a struck deer thrash its life out
                           on the shoulder, a burner that clicks
without flaming, you know how they seize to death.

Who cares what I think, but I wished just then
                           to have a knife. I wished I knew a little about guns
and to own one or to know something sorcerous.

Because nothing but blood tastes like blood, I've cut
                           myself for its coppery flavor. Only God knows
I'm good
. My mother says I've no scruples, the way

I make no claims to being a permanent person,
                           how my move from husband to ex-husband came on
a wave of expediency and self-promotion. If you've gone

to the store and left behind a life—the kind that comes
                           with seating, spare change jars, someone's green thumb
—then you know how I angered at the woman

shrieking behind the wheel of her cracked Escape,
                           phone to face, doe spasming on the shoulder.
Someone should knuckle up and kill this deer. A roadway

in America and there's no policeman on hand to squash
                           a neck? It's early evening & the sky's poetically
blameless gray fills your throat with the thick despair

so familiar to the heavily indebted. Mountaineers know
                           you can't save anyone on good will, that high altitude
is minus morality. So, Confessionalism. Or,

Two Truths and a Lie: I married a man I met
                           on an airplane. I killed that deer. I have no patience
for even the most cherubic of children.
from the book NEGATIVE MONEY / Soft Skull Press
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"A Review of David Baker's Whale Fall"

"David Baker’s eleventh collection, Whale Fall, intertwines ecological, existential, and aesthetic insight into a work that confronts multiple forms of catastrophe, drawing on strength from these different offerings of community as well as his own stabilizing writing practice."

via THE NIGHT HERON BARKS
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What Sparks Poetry:
Dana Levin on Reading Prose


"I thought instantly of two books by philosophers who have offered me enduring lenses: The Poetics of Space by Gaston Bachelard and I and Thou by Martin Buber. Then I flashed on the bowl of dead bees at the end of Robert Hass’s famous poem."
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