Fig, 6. "I I I Strong Stronger Strongest" Braggadocio Rap Rerebrace
Douglas Kearney
Image of a black-and-white graphic poem
from the journal WASHINGTON SQUARE REVIEW 
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Cover image of the journal Annulet: A Journal of Poetics
"Necessary Angels: On Wallace Stevens and Louise Glück"

"I had been rereading Stevens when Louise Glück won the Nobel Prize in fall of 2020. Much as I admire some of her best poems, I find her essays in Proofs and Theories to be her greatest contribution to literature. And Stevens has a small but memorable role in that book. 'It never occurred to me that I wasn’t going to write poetry until I read Wallace Stevens,' begins one essay. She goes on to write that his poems 'are allowed to be overheard' and 'the difficulty to the reader is a function of the poem’s mode, its privacy: to be allowed to follow is not to be asked along.'"

via ANNULET
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Cover of Aaron McCollugh's new book, Salms
What Sparks Poetry: Aaron McCollough on "Not at Duino"

"I am increasingly persuaded that American Christianity’s embrace of Donald Trump is simply the latest expression of a terrific counter-scandal, effectively another, much more gradual transvaluation of values, whereby the dominant American secular and religious visions have aligned themselves with a cult of progress, the technocratic human image for which power can only mean domination, exploitation, and mastery. The key joke of this era is the one where the man puts a gun to his head, and when his wife starts laughing says to her, 'What’s so funny? You’re next!'"

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