To be afraid of every edge, the falling off of it.
Walking at night. Walking under the scaffolding,
passing the spot where the kid lost his phone at gunpoint,
where my daughter while walking to school past the trash
and daffodils was actually in the moment truly happy.
How mildly the days go by and again
the small cove, after the workday, of going home.
This day. The next. The great lengths we went to save
the wild turkeys last summer, how the traffic stopped for them
while the factory farms fed each and every chick
chick chick chick chick into the chipper.
from the book SKELETONS / Princeton University Press
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This poem is one of a series of interstitial "Flesh" poems that thread through the "Skeletons" acrostics in my new book by that title. I'm never very good at commenting on my own work, but Lara Glenum does it brilliantly here.

Deborah Landau on  "Flesh"
Poets House executive director Rob Arnold shows off the organization's new chapbooks room.
"After Nearly Four Years, Manhattan's Poets House Reopens"

"Arnold places a great emphasis on 'building trust in the community and supporting the artistic vision of exactly the people who felt excluded,' he said. 'I am a person who has been held out from literary spaces as well. So that's something that I often think about when I'm thinking about how to build a programmatic vision for the community: Who are we missing? Who feels unwelcome, and how do we change that?'"

viaPUBLISHERS WEEKLY
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Cover of Smartish Pace
What Sparks Poetry:
Sandra Lim on "Black Box"


"My poem, 'Black Box,' is beguiled by the metaphor of the black box as a way to broach the world, the people around us, and our own hearts. Part of that beguilement also has to do with the very limits of the black box metaphor itself; conceptual orderliness of a certain way of thinking can imprison us in a limiting framework—the black box is itself a black box. One way out of this is to construct more conceptual frameworks with horizons of possibility going far beyond what we hold to be true, or at least, visible."
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