Today, I am not so deaf.
The wind is undeafening me, I think.
The window is to my right ear, my hearing ear.

I can hear the wind, alright, oh yes, it is raucous,
but the cool draught on my right cheek
coming through the rickety frame, is gentle.

Yesterday evening, I went to Deaf Club.
I met with two of the group beforehand.
We are friends through BSL class. They are not deaf.

One is in love with a guy who is not deaf,
but is a BSL interpreter — his parents are deaf.
On the way home, she says that deaf people are too direct.

‘They ask direct questions. They make me feel awkward.’
She has been working in a Deaf Café, and gives an example
of how a deaf person asks for coffee in BSL:

Coffee (forefinger and thumb of dominant hand make a C shape, tipped by the mouth)
Now (hands come down hard in front of the body, palms flat and face up)


‘That’s just Deaf culture. That’s just how BSL works,’ she says.

I wonder if I am too direct.
I think I am direct but am unsure
if this is my nature or my deafness.
If you have to look people straight in the face,
if you have to keep eye contact, watch lips and focus,
it is direct behaviour.

I think of animals like dogs,
how a stare is considered a threat.
How you are advised to look away or look down.

What are you looking at? barks the man in the bar,
and you look away or look down.
Perhaps being indirect is the safest option.

The other friend is a dancer.
She is expressive.
I like watching her sign.
She is unsure of the guy who sat next to her.
His sign name is Fox — right hand around his nose
drawing out into a pointy snout.

>

I couldn’t pick up his English name,
he fingerspelt too fast. Miles, I think.
(the quick brown fox...)

She is trying to work out whether he is coming onto her,
or whether he is just too direct and she is
misinterpreting his directness for attraction.

I think back to the number of men
who have misinterpreted my concentration
on what they were saying as attraction.

My direct stare —
a direct invitation of sorts
for a kiss.

The wind is not settling down. I doze off:
The dogs have dissected my soul
and what is lost suggests itself in absence.


Dream thoughts are wild and senseless,
yet have a pleasing music. I translate
quickly, or I forget, and the page is silent.
from the book THE HOUSE OF THE INTERPRETER / Carcanet Press
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At one point I intended to write a regular diary about my experience of single-sided-deafness due to childhood mumps, and learning British Sign Language (BSL) in later life. My commitment trailed off, but a couple of entries I thought interesting enough to work on and include in my second collection. The poem captures feelings about being between two worlds—hearing and deaf—and processing prejudice and trying to unpack what being direct means from a personal, deaf, and feminist perspective.

Lisa Kelly on "
FROM D/diaries: Saturday morning, lying in bed, 9th February 2019"
Headshot of Mosab Abu Toha
"Gazan Poet Mosab Abu Toha Released by IDF"

"Mosab Abu Toha, a Palestinian poet from Gaza and winner of the American Book Award, was detained and reportedly beaten by the IDF after being stopped with his family at a military checkpoint on Sunday while trying to cross the border into Egypt. He has since been released in Gaza. Diana Buttu, a former PLO spokesperson and family friend of Abu Toha's, has said that he is now with his family, and told the New York Times that 'he was likely freed because of public pressure.'"

via BOOKFORUM
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What Sparks Poetry:
Nica Giromini on Language as Form


"What drew me to terza rima in particular is the tension, or rather disagreement, manufactured by its braided structure of rhymes. Because each stanza is interconnected with both the following and the former, the borders of the unit of the stanza start to fray. And a productive tension—one parallel to that of the competing units of sense of the line and the sentence—emerges between the units of sense of the stanza and of the poem (across stanzas)."
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