I began writing "The New World" in 2017, the year I moved onto a sand dune in rural California and the reality TV star assumed the presidency. It was also the year I (we) went fully off-earth, and through the disassociation and isolation I witnessed the daily fumblings of my life with curiosity, and took notes. It's a weird, tender record of alienation, loss, nature, and making “art during wartime.” Kelly Schirmann on "[I feel too porous to read, and too empty to write]" |
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Yusef Komunyakaa's Inspiration "I keep returning to Robert Hayden, Muriel Rukeyser, Gwendolyn Brooks, Philip Levine, Pablo Neruda and Derek Walcott. I still love to see how voices interplay. Sometimes I unconsciously pose questions that might wake me in the night. What did Walcott learn from Hayden? I admire the fun between Galway Kinnell and Sharon Olds that emanates beyond Squaw Valley. I am inspired when I see how poets celebrate the heroics of everyday people." via THE NEW YORK TIMES |
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| Poetry Daily stands with the Black community. We oppose racism, oppression, and police brutality. We will continue to amplify diverse voices in the poetry world. Black Lives Matter. |
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What Sparks Poetry: Margaret Noodin on "Faoiseamh a Gheobhadsa" "The English translation is a reminder of linguistic colonization. English now surrounds both Irish and Ojibwe, but in my translation is not the primary vehicle for interpretation. Providing an English version of the poem ensures it can be read by Ojibwe speakers who may not know Irish and Irish speakers who may not know Ojibwe. It also reflects that this is a poem primarily concerned with the connection between Irish and Ojibwe which is a decolonial act of reclamation." |
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