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Brian Simoneau

Road stippled with rain, I slam imaginary
brakes in the back seat. Sparrows in bushes

and I'm breathless, scanning for bear, cougar—
something to explain the brain's involuntary

circling the drain, a hole I can't fathom.
I'm sick and tired of dying—tired of its grip

on the belly's pit, sick of the shiver
it slips between beats, the ceiling's spin

before the heart settles back to its rhythm
and muscles unclench. In bed I used to pray

for everyone to make it through the night.
Now I lie awake and wait for day to break.

Say something, I beg the dead, tell me
it's easier in the moment to let it go

but they have no promise to give, and the list
of names grows daily longer until I know

to live is to gather dying about myself
like a quilt in the night, like sheets, like skin.
from the book NO SMALL COMFORT / Black Lawrence Press
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The title comes from a line in Emerson’s essay “Experience,” about the death of his son: “I grieve that grief can teach me nothing, nor carry me one step into real nature.” I thought of it often the year my father died—a year which brought more than a few sleepless nights, a year in which I spent many days hiking alone in California’s Santa Cruz mountains, where almost every trailhead sign includes a warning about mountain lions.

Brian Simoneau on "I Grieve That Grief Can Teach Me Nothing"
Color photograph of the illuminated Book sign at the Baghdad Book Fair
"Books, and Reading, at a Baghdad Book Fair"

"Paperbacks are a distant second to the feel and the scent of the old books that Dr. Joori loves best. But still, she looks forward to the book fair for months. 'Just visiting this place is satisfying even if I don’t buy any books,' she said. Iraqis love books. 'Cairo writes, Beirut publishes and Baghdad reads,' goes an old saying."

via THE NEW YORK TIMES
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Cover of Jane Augustine's book, Traverse: Collected Poems 1969 - 2019
What Sparks Poetry: 
Susan Tichy on Jane Augustine's Traverse


"Spare, unselfconscious, nearly transparent, Augustine’s poems reach out to the things of this world like a ship whose constant soundings describe its own location. No part of her lived experience is excluded, so a reader may find herself meditating on a painting, carrying a backpack, searching for a homeless man under a scaffold, or pulled suddenly back to a parent’s death-night twenty years before."
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