Imaginary Conversation
Linda Pastan
You tell me to live each day
as if it were my last. This is in the kitchen
where before coffee I complain
of the day ahead—that obstacle race
of minutes and hours,
grocery stores and doctors.

But why the last? I ask. Why not
live each day as if it were the first—
all raw astonishment, Eve rubbing
her eyes awake that first morning,
the sun coming up
like an ingénue in the East?

You grind the coffee
with the small roar of a mind
trying to clear itself. I set
the table, glance out the window
where dew has baptized every
living surface.
from the book ALMOST AN ELEGY / W. W. Norton & Co.
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Colour headshot of a laughing Danez Smith
Danez Smith's "Poems of Brilliance and Beauty"

"Among the lies Smith wants us to recognize is slavery, which the Dutch once pursued as a commercial venture with virulent acuity. In Bluff, however, that’s not an endpoint but a place to start. Dayton’s Bluff, after all, is a neighborhood in Smith’s home city of St. Paul, Minn., named for speculator Lyman Dayton, who, during the 1850s, developed the location after the Dakota peoples who had once lived there were displaced."

via LOS ANGELES TIMES
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Cover image for Johannes Goransson's translation of Ann Jaderlund's work, Lonespeech
What Sparks Poetry:
Johannes Göransson on Ann Jäderlund's [Not here]


"The influence between texts seems to flow in mulitple, volatile, anachronistic directions. It’s perhaps even wrong for me to say that the poems are based on Celan’s and Bachmann’s correspondence. The correspondence is one source, but from these letters, Jäderlund’s poetry is brought into contact with Hölderlin, Heidegger, Shakespeare, Rilke and others. Like Manny Farber’s infamous concept of 'termite art,' Jäderlund’s writing 'goes always forward eating its own boundaries.'"
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