This poem is drawn from the end of the verse-novel I’m working on, which I’ve been tentatively calling "collective." In many ways, the collection is about the push/pull of connection—both over-identification and under-identification with others are perilous. Here, the narrator isn’t connected to what’s happening to her—and the medical system is only able to relate to her as a patient and not as a human being.
Katie Berta on [It is like a long tunnel] |
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"Anthony Anaxagorou Wins Ondaatje Prize"
"The chair of judges, journalist Samira Ahmed, said Anaxagorou’s poetry 'is beautiful, but does not sugarcoat. The arsenic of historical imperial arrogance permeates the Britain he explores in his writing. And the joy of this collection comes from his strength, knowledge, maturity, but also from deeply felt love.'" The prize recognizes Anaxagorou's third book, Heritage Aesthetics.
via THE GUARDIAN |
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What Sparks Poetry: Sean Hill on "Lake Sturgeon"
"The skin my fingers lightly brush is brown, is rough, is wet; I’m touching a lake sturgeon. I’m leaning against the edge of a touch pool at the Great Lakes Aquarium in Duluth, Minnesota with my hand immersed in water well above my wrist. This was in the late aughts when I lived in Bemidji, a small town in north central Minnesota, and my parents were visiting from Georgia, and we’d decided as close as they were, they should see Lake Superior." |
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