Kiss Me
Emily Bark Brown
things become containers of language

like a mouth, for instance,

the knot is language

like an ideal

more human than humans

more right

is “the dark audacity” a pissyfit?

is it a pussy?

when i say “i love you”

what i mean is that you are a room i enter

when i want to feel something

the thing about your face

is that you have these wonderful lines

that frame your mouth

as if everything you say is a parenthetical
from the journal NOIR SAUNA 
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A Conversation With Srikanth Reddy & Peter Mishler

"Of course the poems are also arguments, or narratives, or expressions, but the poets I love most find ways to subordinate their own sovereignty over the work of art to the law of sound time and again. They never relinquish that sovereignty entirely—there’s always an 'I' or some other form of identity moving through sound. But these writers discover something unexpected in their psyches’ passage through the mysterious material of language."

via LITHUB
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Cover image of Spencer Reece's book, Acts
What Sparks Poetry: Spencer Reece on "Veni Creator Spiritus"

"Grief the weather over my desk as I wrote some of these poems. Grief fogging up the windowpanes in particular poems. Grief came with its own weird chant, grief that strange emotion where you know what you miss before you understand why....In this poem, a young man dies. Like in the poem, his name is Steven Hobbs. The name engraved into my tombstone of a poem. The ambition of the poem? Remember Steven Hobbs. The labor of the poem? Love. The words my Doric column for Eternity."

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