Metropolitan
Patty Nash
1. So do you read literature?
2. Yeah.
3. Placated and ventilated
4. In the room's relative dimness,
5. She waited for the moment
6. To pass.
7. Then they saw the medieval
8. Knights, whose armor
9. Did not seem comfortable.
10. Would you like something
11. To eat?
12. Yeah, indefinitely.
13. She practiced hinging at the hips
14. To correct
15. A historical inaccuracy, the
16. Hypermobility of the spine.
17. A man tipped his forehead on
18. A windowpane, next
19. Had difficulty finding words.
20. I still had these problems
21. With my alveoli,
22. She informed the doctor . . .
23. What else do you need to know?
24. He shrugged.
25. She never saw him again.
26. Nothing is quite analogous.
27. The problem was amorphous.
28. Data accretes like islands
29. In Scotland!
30. Everybody wants to buy.
31. Even her
32. Stern nurse.
33. She had asked for assistance
34. The predictable thing occurred.
35. On the angle of a felt
36. Mountainside called
37. Chimney Rock
38. Her boyfriend began to slip . . .
39. It wasn't just the lack
40. Of proper footwear.
41. Walking poles
42. Afforded him stability
43. On the mound of dirt
44. Which implied the ground
45. Like sulfuric ash.
46. And it was.
47. It's good to have a purpose,
48. An end goal,
49. His guide firmly stated.
50. When your refrigerator breaks,
51. It's good to have a job
52. Even if it entails
53. Buying a new refrigerator
54. And then the old one rears
55. Up again.
56. Let's go through the American Wing
57. And then to ancient Egypt,
58. Where they filmed
59. That scene.
60. Two lovers reunite.
61. Are you in the elevator?
62. Yeah.
63. Oh, that's where?
64. Go outside, she urged.
65. Look.
66. Every person is wearing
67. Brown leather mules.
68. Hard not to notice the
69. Sulfuric smell
70. With no effect
71. On said leather mules.
72. Every millisecond
73. Value is processed.
74. Every millipede possesses
75. Numerous legs
76. And shuffles in like an elevator
77. Or toilet paper
78. A white American child
79. Like Goldilocks
80. Looks around
81. Her arms
82. In every luxury campground
83. With unlimited sinks.
84. Among other tabulations of
85. Wealth and value.
86. It all happens on the inside,
87. And yet it's worthless
88. If you don't perceive it.
89. On the other hand, they x-rayed
90. My lungs just once,
91. And on the phone
92. Told me
93. They didn't find anything of
94. Note
95. Besides lungs, of course.
from the journal THE PARIS REVIEW
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The very name of the Great Reformation implies progress. But I see Martin Luther's nailing of the theses to the church door as a rearrangement of control. In this poem, I wanted to play with the idea of an earth-shattering litany, embedding it in my own experience of quasi-exceptional life: I was a tourist in a place I’d “seen” in countless movies and books. Finally (and most importantly), I wanted to have fun writing a list.

Patty Nash on "Metropolitan"
Color photograph of poet Peter McKay
"First Gaelic poet appointed Scotland's Makar"

Lewis-born Peter Mackay says he is keen to use his new role as the national poet to champion his native tongue, but not at the expense of other languages. He told BBC Scotland News: 'I write mainly in Gaelic and English, and sometimes Scots. We are a multi-lingual nation so it's important to find ways to speak to each other.' The original makars were medieval poets or bards, often tied to the royal court and expected to make work for significant occasion."

via BBC
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Color cover image of Vicent Toro's collection, Hivestruck
What Sparks Poetry:
Vincent Toro on Language as Form


"Form is not merely shape, it’s concept. It’s not merely a concept, it is a vessel for culture that transmits the values and ways of a people....When our own forms are marginalized or entirely ignored while an oppressor culture forcefully imposes their own forms on us, some of us are going to act reflexively to such an action, and some of us are going to make it a mission to reclaim our own forms and create space for them to be appreciated and respected in equal proportion. This is, in part, the reason for my devotion to the décima."
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