W. J. Herbert
I ordered it online for him and then
nailed it under the eaves where he could see
a pair fly in and out with twigs, and when

chicks fledged, they'd wobble testing wings and he
would be distracted, maybe feel less pain

but no doves seemed to nest, though one flew in
and we both held our breath. Then heavy rain.
More chemo. He withdrew, black terrapin

that settled in the mud and disappeared
while I sat there and thought about the box.

That fall as days seemed slow and cold, I cleared
out ivy, watched the "v" of passing flocks

while under eaves a twig cup, half-hewn boat,
hung on, like him, unraveling. Remote.
from the book DEAR SPECIMEN / Beacon Press
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The poem conflates two longings. The first, that fledglings born in our arbor would come back to build a nest. Our older daughter had left for college and the younger would soon follow and, for several years, I chose a new spot each spring for the unused box. The last was high up under the eaves and I couldn’t see inside, but sometimes I’d watch, hoping a dove would fly in with a twig in her beak. All this was long ago. We sold our house. But before leaving, I climbed a ladder to take down the box and found a bundle of half-stitched twigs, dry weeds, and pine needles deep inside. The second longing is to go back to the last days of my father’s life and act with more compassion.

W. J. Herbert on "Mounting the Dove Box"
Color photograph of a battered book against a cream background
"A Writer's Lament: The Better Your Write, the More You Will Fail" 

"Good writers offer advice. Great writers offer condolences. Writers are peculiar beings with their successful failures and their failed successes. Their skins are so thin you can hold them up to the light and see through them." 

via THE NEW YORK TIMES
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Color image of the cover of David Baker's book, Whale Fall
What Sparks Poetry:
David Baker on "The Telling"


"I stood there at the glacier and felt deep below my feet the world moving and the ice dying. Glaciers melt from the bottom, and from within, as they creep along inexorably toward lower ground and, eventually, toward oceans and seas. How to write about such things? How can a small lyric poem begin to suggest the complexities of the subject and this place? I guess the answer is, how can we not try?"
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