Jay Hopler
jay hopler was born the mint-condition-in-original-packaging-
     action-figure-w/-kill-piggy-death-grip (collector's edition)
raised to be the bird trap in a painting by pieter bruegel the
     elder he ended instead the empty birdfeeder around which
     birds still gather
in between he was the horse-drawn serenade the
     mythicgooberkhan the bowl of lemons every cloud that
     ever looked like a lion
he was never drawn by the dawn parade to greatness though
     he won great praise for his performance as the green vine
     angering for life in book-tv's the wallace stevens story
for a moment in rome he was:


                                             Jay Hopler,

he has been survived
from the book STILL LIFE / McSweeney's
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Two Portraits by Payam Beint
"This Body, This Rapture": Bracho and Gervitz Explore the Mysteries of Inner Experience

"Perhaps what contemporary avant-garde US and Latin American poets share above all is a desire to carry on the legacy of modernism while doing away with its ideological pretensions, its belief in a grand narrative. In that sense, Bracho and Gervitz are exemplary. One a miniaturist and the other a maximalist, one serene and the other turbulent, they illustrate how the mystery of embodiment can be plumbed in poetry."

via POETRY FOUNDATION
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Cover of the book, Wild Fox of Yemen
What Sparks Poetry:
Felicia Zamora on Threa Almontaser's The Wild Fox of Yemen


"I keep returning to 'Heritage Emissary.' The work of this poem cores me. The couplets mimic tensions throughout the entire book with the push/pull of play and intense difficulty juxtaposed. The pluralities of being for multilingual individuals become verb—as in 'When I Arabic my way/ towards them'—and we continue to see the stitch/wound paradox for the voice in, 'I long to play a song that doesn't terrorize,/ a song that's understood.'"
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