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Joe Safdie
I smoke marijuana to return
to the level of the stones —
or if not their splendid
geological history
at least the surrounding
shrubs and grasses
dancing in place —

and that was the only secret
to his music —
the real Orphics
weren't so quick to imagine
a way out of the world —
as the story has it
this is it
for Norman Finkelstein
from the book THE OREGON TRAIL / Spuyten Duyvil
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Cover of Diane Seuss' "memoir in sonnets," "frank"
"Diane Seuss Garnering Recognition"

"She employs the tension between the high-end poetic form of the sonnet and her working-class language and storytelling. At the same time, she draws on parallels between the working-class mentality of being economical and the economy of language inherent in the sonnet’s 14-line limit. As one of the poems says, 'The sonnet, like poverty, teaches you what you can do / without.'"

via KALAMAZOO COLLEGE 
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Cover of the February 2022 issue of Poetry magazine, in which the English translation of Irma Pineda's poem appears
What Sparks Poetry:
Irma Pineda (Juchitán de Zaragoza, Oaxaca) on Ecopoetry Now 

"In my mother-tongue, Didxazá (Zapotec), there are two words for referring to nature. One word is nagá, which makes reference to greenery, that which grows and reproduces, like plants, trees, flowers, maize: because there will be food, there will also be life. The other word, which we use more frequently, is guendanabani, which you translate as the blessing of life and which makes reference as much to the human life as to everything that surrounds us."
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