Morgan Parker
     for Ted Meyer

Today darling I am rising
from the lavender bathtub
of self-loathing. I don't take drugs
to shut up I take off
my pants when I get home
and I stay there, red cup full
of cigarettes from heaven, ghosts
of all my friends between my toes.
I imagine them pouring vodka all over
each other wearing glitter.
The vision is closing in like a tight dress.
Meanwhile the moon
fills gray-green. The shops in the village are
leaking bodies. Spilt oil rolls over
cash like hands, some glorious bullshit.
What bothers me is the weight
of clouds under your fire escape, your
hand strange lines I feel
and can't, one shared breath
of all the bulldogs in the park,
how I don't notice an inch below
something wriggling in dark warmth
as if love or hunger never counted
and I was never meant to last. The nervous
breakdown doesn't end.
It was only sleeping. And comes
back good and rested
smearing its eye boogers all over.
Says, You're an arrogant prick.
I say, Fuck you nervous breakdown.
It says, Open the curtains and look
down at all the people or
You may share your bed only with me
.
I accidentally say OK.
When I can't sleep I smoke
a dark cigarette and keep the curtains closed
so I can lose track of where I am
and who is here with me. I cut the faces
out of magazines and pile them
in the middle of my hardwood floor.
In the distance, that good old
rock 'n' roll. This isn't simple
if you want it to be. What my country
does for me is enter
me like a room, becomes the furniture,
the wall, the painting on the wall,
the white spot where painting used to sing.
Singing enters me, becomes the window.
Baby think of my skin
as the best part of the song. Take me
by the ribs and lay me at the bottom
of a dirty creek where I can
get a good view.
from the book OTHER PEOPLE'S COMFORT KEEPS ME UP AT NIGHT / Tin House
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"Czesław Miłosz: A California Life"

"When the name Czesław Miłosz is mentioned, faces tend to fall. 'Poet of Witness' is the stock association. People think of bombed cities and the Holocaust. Yet Miłosz is also a poet of the miraculous, a poet of wonder, a poet of doubt, and perhaps the best poet of old age we've had since Whitman....He spent four decades in California, more than anywhere else in his life. The passionate poet who longed for detachment, a more objective place from which to see himself, found it here."

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What Sparks Poetry:
Karen Anderson on Mihaela Moscaliuc's Cemetery Ink


"'Elegy for my mother's employer' is a case in point: love and precision ('your small frame/and freckled breasts') are shot through with fury ('Six months of this shit's enough'). This boss's flamboyant 'why not?,' is paired with a litany of her abuses....The end chimes with itself—Mother's 'fine,' rings with 'harm' and 'hell of time' and 'dying' and 'native ground' to remake her mother's apparent powerlessness as a calm that reaches beyond the arc of her employer's cruelty."
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