Pegasus Tattoo on the Left
Jaia Hamid Bashir
A horse is a muscular hyphen—
connecting humans to nighttides of the open
               animal world beyond us. Last night I dreamt
               that you married someone who wasn't me.
A winged horse is a regatta of stars—
human's first spacecraft, the moon, too,
               is a changing hoof. How far upwards              
               each verve of the earth, a lunarship searching
for unknown fruit. The tail, a brush of a comet's
glitterfreeze. I've sailed on these half-wings.              
               The dream rivets to silent, deep space.
               The event horizon: an open gate.
The cold ocean is not a horse—
Mere and mer: false cognates.
               Lunar mare: dark waves
               of basalt, ancient stargazers misunderstood
to be water, maria. Pronounce this, Medusa.
Sidus signs of your tongue on the lateral
               of my dark thighs. An odious oasis, a desert
               mer. Snakeskin glints in impastos of sage.
layers of landscape. I'll take handfuls
home with your old jackknife. I'll siren into
               chalk-smoke motes, shadowed patterns
               on celestial bodies. The mane falls wild
on my black coat. White heat from the planets
cantered light from behind the plateau.
               How far of a dive into la mer until each creature
               becomes eyeless?        Come, now out of the sing of river—
drink a godsong like horses out of green
buds about to speak into spring.
from the book DESIRE/HALVES/ Nine Syllables Press
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This poem is about the terror of being left behind by those we love. The pegasus from the Poetry Foundation is tattooed on my left arm. I borrow—“glitterfreeze”—from a Gorillaz song. Linguistics, astronomy, ecology, cosmology—overlap like sediment. Pegasus, born of Poseidon and Medusa, is a horse of brutal beauty. And then there are the lunar maria, vast stretches of darkened plains on the Moon formed by ancient lava.

Jaia Hamid Bashir on "Pegasus Tattoo on the Left"
Color photograph of Kaycee Hill
An Interview with Kaycee Hill

"Writing poetry allows me to access a part of myself that comes alive when I write. There’s something deeply satisfying about putting pen to paper to capture people I know, resurface memories, and explore the complex dynamics of family – both the one we’re born into and the one we choose. Inspired by Gwendolyn Brooks’ words: ‘we are each other’s business’ I find true joy in the process, even when it leads to painful places or revelations. As an outlet, writing poetry is a tool for understanding both myself and the world around me. It just feels essential. Necessary."

via BRISTOL24/7
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What Sparks Poetry: Philip Metres on "Qasida for Abdel Wahab Yousif"

"The qasida begins with human longing. The moderns didn’t invent it! It was in the human heart. This is the nasīb, which means 'fate,' the poet is in a nostalgic mood. Sometimes, pursuing the beloved, the poet will come upon the remains of a camp, the beloved’s caravan, causing a consideration of what has passed. If it begins with longing and its endless distances (thanks, Robert Hass), it doesn’t stay there, but rather moves into the trouble of the world." 
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