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Louise Glück's Nobel Lecture "I was drawn, then as now, to the solitary human voice, raised in lament or longing. And the poets I returned to as I grew older were the poets in whose work I played, as the elected listener, a crucial role. Intimate, seductive, often furtive or clandestine." via NEW YORK REVIEW OF BOOKS |
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What Sparks Poetry: Johannes Göransson on "The Angelgreen Sacrament" "In difference to the traditional lyric model, where any 'inconsistencies' make the artwork suspect, Martell argues that it is these very rifts that open the poem up, throw the reader into a 'real' of artistic encounter. I would say that Olsson’s book is a 'rifted' lyric. It’s a lyric but it goes on too long, it confuses who is reader and who is writer, who is angel and who is human. It even confuses the angel with a dress worn as a teenager." |
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