Seasteading: Entrepreneurial Opportunities
Tana Jean Welch
on the sea they might sell fish
to passers-by on boats
     or they might sell fish
to other like-minded people afloat

     on the floating city



the word selfish is seventeenth-century
Presbyterian, first used
in reference to events of the year 1641

which could be any number
of events, including but not limited to
the Iroquois declaring war against New France,
the Dutch seizure of Malacca
     (or the Dutch capture of Angola),
or the Irish Rebellion in Ulster

self-ful, self-ended, self-seeking:
synonyms used during the Early Modern era



how else to sell fish?
     freeze, pack, ship
          (no need to heed the regulations)
     string a metal needle
          through the eyes, brine
          hang dry and vacuum pack

or they might not sell it at all
but fry it on a Friday,
     swallow as much as they can ·

and bury the rest at sea
from the book IN PARACHUTES DESCENDING / University of Pittsburgh Press
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This poem is part of a poetic sequence on the libertarian Seasteading movement. The campaign to build politically autonomous floating cities on the earth’s oceans is currently packaged as a win-win for all humans, as well as the planet’s ecosystems. But still, reading between the lines, it strikes me as a re-branding of the same evasion and exploitation certain groups have always been down for and up to.
 
Puffin Island in St Finian's Bay, Co Kerry
Declan Ryan on Eavan Boland's Citizen Poet

"Citizen Poet, a collection of Boland's essays on nationhood, history and language, isn't the whole lot: as the editor Jody Allen Randolph notes in the foreword, a separate collection of Boland's writing on female poets will follow. But it's wide-ranging, thrillingly combative, and evidence of an ambitious commitment to broadening poetry's scope of possibility—and, in doing so, remaking its past."

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Cover of Joyelle McSweeney's Death Styles
What Sparks Poetry: Joyelle McSweeney on "Death Style 2.8.21 (Mary Magdalene, Collectible Glasses)"

I wrote all the poems of Death Styles on the shockwave of catastrophic grief, trying to understand the physics of my new, confounding planet, a planet clammy with calamity, with weed beds and reed beds, NICU wards, of cause decoupled from event. I think of irreparability, a loss that runs only one way, converting my skull to a locked vault, a cave. Can you witness absence? How does the individual body, immobilized by calamity, become a place to which sound and consequence flood?”

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