Kamden Ishmael Hilliard
Macin' my face in the             MEN'S         mite solv the problem

of open access     Solution?: Doom Peace? Hate the word

I'll still do me         a nargl'd nubility 2 pour 4         or pliant narrative

2 pull from ditchdom         I mean, basically what it boils down

2: Eff I don't tell yu     I'm a fag, yu won't beat the crap out of me

So what want gud American         violence? Not *my* tax duct

butta dongle     Doohickey 4 glazed dysphoric diaspirations My grief

is MSG free     It on the adollarable menu It is why i don't facepeel

messy but present 4 the tap dance Ground bone 4 my tonal

concerns     On brand Bandstand /in American         just 2 tip

-tow a homo salaried petition thru the backgore           I'm pilling up

my say can & used against & court of aw I'm pulling out of my blooded self

4 national cummembration Public partition of martyrdum: my gender

freakin See me absolve See me bubble See me sour of healing

but still 4 the dream: flite Fruitility Pozsibility
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January Gill O’Neil Discusses Life after Divorce, and Her New Collection, Rewilding
 

"For me, 'rewilding' means coming back stronger in the broken places. I think about spaces that we've abandoned and that we've set aside."

via NEW ENGLAND PUBLIC RADIO
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What Sparks Poetry:
Yona Harvey on Sonia Sanchez’s
"Summer Words of a Sistuh Addict"

"How is it that we come to know this young sistuh so intimately? There’s her cool revelation that shooting up actually felt “gooooood” and “gooder than doin it” and that she wants to “do it again.” There’s no shame in her sexuality or her “remembered high.” We come to learn all these details, but never through the lens of exploitation, sensationalism, or judgment. This is because Sanchez never intrudes on the poem. The explicit “i” narrator does not exist in this poem. A lesser poet would relish some kind of confession or faux street credibility for witnessing. But Sanchez’s poem is the anodyne for voyeurism. "

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