Every mass in the universe is pulling on
every other mass in the universe.
Solar buds are fruiting on Orion's sword,

grim and otherwise Orion, who leans his face on the ox.

That my desire goes out to you and does not return is
evidence I travel through a region
with central boundaries that are not defined.

If there is anything original among this, it is the questions.

Could I have behaved differently?
Disciplined myself at the border of touch and touched?
Something pulls back at me, and I feel I cannot change.

There is no curve, and no horizon, on the past,

only last sightings that come from another well,
demanding: Do you remember, ox-eyed lover, turning
your face away from the light?

All heat is movement in disbelief.

I raise the lace from my skin.
In some past you lifted it differently,
with purpose other than mine.
from the book THE WANDERER / Beloit Poetry Journal
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Head shot of Simon Armitage

Simon Armitage is funding a new prize for environmentally themed poetry with his honorarium as Britain's poet laureate.  The Laurel prize will recognize the best collection of poems "with nature and the environment at their heart." He argues, "You can’t write poems about the natural world now unless it’s in an environmental context. Every word you write on that subject sort of quakes with the background predicament."

via THE GUARDIAN
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Cover of Aracelis Girmay's book, Teeth
What Sparks Poetry:
Cynthia Dewi Oka
on Aracelis Girmay’s “Arroz Poetica”


"I first encountered this poem in my early twenties, when I had just started to consciously write poems. It was a very difficult time in my life—I was a young mother juggling several precarious jobs and still grieving the loss of my father and separation from my community as a result of my decision to raise my child on my own. I was living like a ghost."
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