Sonorous
Chus Pato
Translated from the Galician by Erín Moure
There are images that wall off the body
from the violence of the body
they’re outside memory
they spread out like the strata of an exemplary life
nourished by roe deer
in the forests of Brabante /
the bloodbath happens
To stand up, reeling in the mist
and go off toward somewhere
interminable
the law traversed by the signs that are time





In the same way
that birds carved in basalt emit from their eyes
an emerald pulsar
so fragments of language-rock
shear off to fly over an ocean

straight at the lot of you

we are the pulsar of birds
linguistic rock
all power any virtuality
an infinite exposure
an infinite pain

you don’t get our messages
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Informal color photograph of Paula Meehan & Gavin Jennings
Paula Meehan & Gavin Jennings on "The Eavan Boland Legacy"

“Boland forces the reader to the altar and reconsider their understanding of and place in history. As Meehan told me; '[Boland] knows that history tells us what happened in the past, poetry tells us how it felt to live that past. She distinguished between history and the past. History is the meaning that accumulates around the past.' Boland’s womanhood provided a much needed shake-up of Irish writing in the twentieth century. ”

via UNIVERSITY TIMES
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What Sparks Poetry:
Sarah Ghazal Ali on Language as Form 


"Matrilineage [Umbilicus]' sprung from this unsettledness, not halfway into my first pregnancy, when my body ceased to be entirely mine. I came to the page eyes closed, hands outstretched to trace the contours of my thinking. I could not yet trace the face of my child, so I tried instead to touch each thought as it was born."
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