I wept with my grandmother when Reagan
was shot because that's what she wanted.
At night, she'd tell me about a city built
by Evita for children in Buenos Aires, the city
of her first exile. Children went about
municipal duties in the small post office
and mini city hall to learn to be good citizens.
ln Argentina she sold bread pudding
and gave French and English lessons from her
home for money to buy shoes. She promised
we'd go someday, but we never did. She'd say
Peruvians were gossipy, Argentinians snobbish, but
Chileans were above reproach. A little bit migrant,
a little bit food insecurity, she was the brass bust
of JFK on her altar, the holy card of Saint Anthony
on her TV. She was her green card and the ebony cross
above her bed. The lilted yes when she answered
the phone, and the song she liked to hum about bells
and God that ended tirin-tin-tin-tirin-tin-tan: miles
and ages away from her story, she sang it.
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"The voice is still full of the old duress, but it avoids formality with a desolate glee: it is improvisatory and throwaway as though happening in real time, syntactically unkempt, peremptorily colloquial, heedlessly disinclined to spell things out, at times sourly hilarious, irascible, often exasperated. "

via THE LONDON REVIEW OF BOOKS
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“As the excerpt from 'Ferrum' begins, the desire to read is baffled. What is all our f? What is ht fad? The pages offer no visual clues, no eye-rhythms for mind to follow, but the eye goes to work, gradually witnessing an emergence of image and narrative from chaos. We can rewrite the text, if we need to; it’s there to be found: and their fall our fall it was a bull market for guineas and for guinea negroes a bet in hope night fades to day day to night her dugs hang sacks of dry fear. What would we lose by this?"
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