Yang Jian
Translated from the Chinese by Fiona Sze-Lorrain
Pure herbal scent from an old phoenix tree
I know, this is my country
Midway at night, someone will smash a jar of herbs
I know, my country will spill from it

Kneeling
kneeling here
Kneel my restless heart
into a stone statue

At the blasted mountain's foot
an old willow stands, like a dragon corpse
surrounded by burnt grass

None of these exists in the mountain
Too much emptiness in the mountain
I've yet to reach this emptiness
 


在东梁山远眺

在一棵老梧桐树下飘来一阵炖草药的香味,
我知道,这是我的祖国。
夜里将会有人把药罐摔碎在路中央,
我知道,我的祖国将会从药罐里流出。

跪着,
在这里跪着。
把胸膛里动荡的心,
跪成石像。

在炸出一个大口子的群山脚下,
有一截老柳树,就像龙的尸体。
在龙尸体周围是烧糊的青草。

山上没有这些,
山上的空白太多了,
我尚未到达空白的境界。
from the book GREEN MOUNTAIN / MerwinAsia
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"A Conversation with Hayan Charara"

"Whatever choices I make, I don't call it a day until I'm as certain as I can be that the poem is doing some version of knocking the reader's head off, however that manifests—breaking their heart, stopping them in their tracks, compelling them to rethink or reexamine something. I do focus on all the things that collectively fall under form's domain: syntax, line endings, enjambment, stanza breaks, poetic structures, turns, and so on."

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Billy-Ray Belcourt (Driftpile Cree Nation, Alberta) on Ecopoetry Now 

"On the coast of Lesser Slave Lake, some of the Canadian government's most brutal forms of colonial oppression played out. I wonder what it means for a lake to be witness to all of it. In a way, that trauma is inscribed in the lake's ontological fabric. But, more importantly, I see the lake as proof of my people's indomitability. The lake precedes the political project of Alberta, of Canada; it precedes the concept of the settler state. The lake has been and continues to be a locus of Cree livability."
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