Nights when you fall in love with her again,
when the seabird is gone.

A chair,
unpleasantly the colour of bones,
in the broken solitude of the terrace
at the moment when the party fell silent
for the hail-fellow-well-met parrot who boasted of impossible things.

The lover, withdrawn, a bit confused,
in a corner, on this terrace
overlooking the bright city of night.

When they’re gone.
from the journal WEST BRANCH
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Color photograph of the bucolic location of the Bread Loaf Translators' Conference
Apply to the Bread Loaf Translators' Conference
June 10 - June 16, 2020

Join our award-winning faculty in the heart of Vermont's Green Mountains for a week of introductory and advanced workshops along with an inspiring schedule of lectures, classes, and readings.  Financial aid is available. Rolling admissions through February 15th.  Apply now.
Cover of John Matthias' book, Acoustic Shadows, the first book under review
"An Evolution of Style"

"I love discovering new voices, but there’s much to be said for following poets over the course of their careers, watching their styles evolve, their attentions shift. Poets in mid-career must navigate hard crossroads to avoid repeating themselves, becoming parodies of their earlier successes."

via HYPERALLERGIC
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Cover to Tristan Tzara's Approximate Man & Other Writings
What Sparks Poetry:
Jay Besemer on Tristan Tzara's “Anecdote"


"Already focusing on short, intense poems in my own writing, the eleven-line near-sonnet of 'Anecdote' made me feel that I had a path ahead of me ('from one halt to the next') and reassured me that I was not alone in my experiences of violent alienation and the sense of being wrong, badly-suited for what the whole world seemed to expect of me. In both form and content, 'Anecdote' resonated with my own needs, perspective and experiences, both interior and as a human animal in the world.
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