Sarah Brown Weitzman
From a flat
landscape
ofruler
straight  roads
andcanals,
invading seas,
brute  winds
Mondrian set
the vertical
against the
horizontal
in a balance
of oppositions.
He abandoned
greensothe
primary colors
would behave
withcalibrated
calm.But
chaosheld
down is not
denied.  Through
these squaresno
traceofnature
remains ex-
cept the nature
of Nature:red
as lust,  yellow
as greed,  blue
as cruelty
and   the black
and white
ofignorance.
from the journal ALASKA QUARTERLY REVIEW
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Color photograph of Ocean Vuong and his mother
Ocean Vuong Writes for Himself

"He tells me that it is the only book he’s written that he is proud of, because he compromised nothing. He thinks that has something to do with losing his mother. 'All the things I’d written, it was all to try to take care of her. I went to school for her, I worked for her—she was the source,' he says. 'When that was taken away, I didn’t have anything else to answer to. And so I finally wrote for myself.'

via TIME MAGAZINE
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What Sparks Poetry:
Rocío Cerón (Mexico City) on Ecopoetry Now
 


"Language and nature are an ancient binomial that has reinforced the physicality between the world we inhabit and how we inhabit naming it. The power of the bird is not only its chirp and trill, but the richness of its name which alters our lips in pronouncing it: albatross, kestrel, blackbird, screech owl, flycatcher, vireo, thrush, golden tanager."
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