We were thirty-one souls, he said, in the gray-sick of sea
in a cold rubber boat, rising and falling in our filth.
By morning this didn’t matter, no land was in sight,
all were soaked to the bone, living and dead.
We could still float, we said, from war to war.
What lay behind us but ruins of stone piled on ruins of stone?
City called “mother of the poor” surrounded by fields
of cotton and millet, city of jewelers and cloak-makers,
with the oldest church in Christendom and the Sword of Allah.
If anyone remains there now, he assures, they would be utterly alone.
There is a hotel named for it in Rome two hundred meters
from the Piazza di Spagna, where you can have breakfast under
the portraits of film stars. There the staff cannot do enough for you.
But I am talking nonsense again, as I have since that night
we fetched a child, not ours, from the sea, drifting face-
down in a life vest, its eyes taken by fish or the birds above us.
After that, Aleppo went up in smoke, and Raqqa came under a rain
of leaflets warning everyone to go. Leave, yes, but go where?
We lived through the Americans and Russians, through Americans
again, many nights of death from the clouds, mornings surprised
to be waking from the sleep of death, still unburied and alive
with no safe place. Leave, yes, we’ll obey the leaflets, but go where?
To the sea to be eaten, to the shores of Europe to be caged?
To camp misery and camp remain here. I ask you then, where?
You tell me you are a poet. If so, our destination is the same.
I find myself now the boatman, driving a taxi at the end of the world.
I will see that you arrive safely, my friend, I will get you there.
from the book IN THE LATENESS OF THE WORLD / Penguin Random House
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Cover of N Scott Momaday's book, The Death of Sitting Bear: New and Selected Poems
"The American Land is My Mainstay" 

Pulitzer Prize winner N. Scott Momaday talks to Lulu Garcia-Navarro about his new poetry collection, The Death of Sitting Bear.  "I do a lot of descriptive writing of the land itself and the features in the land. That appeals to me very much. And that makes for a wonderful canvas on which to place things that are meaningful to me."

via NPR
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Title page to the King James Bible, published in 1611
What Sparks Poetry:
Martha Collins on Psalm 19

"One night when I was nine years old, when the stars and moon were shining brightly, my mother took me to the window and read the first verses of the 19th Psalm to me. That was a long time ago, so the version I heard was the King James, which is still....the translation I like to read. I was, as we would say now, blown away. I had heard and loved music all my short life, but I had never heard anything as beautiful as that Psalm."
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