George Kalogeris
I boarded the Blue Line at Aquarium station.
The only empty seat was the one by that young,

Head back, eyes closed, exhausted-looking father
Holding his sleeping child in his folded arms.

It was already suppertime, and the Evening Star,
As Sappho sings, was calling all of the creatures

Home to their mother, through the rush-hour traffic.
The subway was coming out of the tunnel's mouth

And I was sixty when I suddenly felt
A tiny hand start pulling at my sleeve.

In his sleep the child I never had was reaching
Out for me, while the father I never became

Kept his eyes shut. And all the way to my stop
At Orient Heights, nothing disturbed our dream.
from the journal HARVARD REVIEW
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Sarah Ghazal Ali on Ghazals

"The ghazal deceives with its neat, rhythmic couplets, its boxy silhouette on the page. It intimates order, then shows its hand, revealing clamor, chaos, commotion. The ghazal calls to me, coaxes me to follow its song like a deer flitting through the trees. To go deeper into the woods and abandon, if only for a moment, my reliance on control, cohesion, connection. Maybe one day I'll honor my mother tongue, my mother, my father, my name."

via THE POETRY FOUNDATION
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Cover of Maricela Guerrero's Book, The Dream of Every Cell
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Maricela Guerrero (Mexico City) on Ecopoetry Now 

"And this is precisely where poetry and poetic communion shelter me with hope without optimism; where, in the different languages inhabited by beings with whom I share the air and water of this planet, we come together in longing for and choosing another way of interweaving, of searching inside ourselves for new ways to reverse this disaster."
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