Jill Osier
They stand scattered and not
facing each other. Like black-eyed
susans lining the highway, or sisters
angry in some small kitchen.

The goats, they traipse a diagonal
through knee-high meadow,
following head to tail. Then
one decides to feed. Suddenly
they are strangers.

But how elegant animals seem
these weeks after your funeral, each
quiet despite a whole field, content
with any fresh mouthful.
from the book THE SOLACE IS NOT THE LULLABY / Yale University Press
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Relatives and friends gathered in Kabul for Sulaiman Layeq's burial
Afghanistan’s Rebel Poet Leaves Epic Unfinished

"In the final months before his death, his children would bring Mr. Layeq the incomplete draft of his magnum opus that had occupied him for four decades. In 800 pages of rhyming verse, the poet wrestles with the thoughts of the epic’s main subject: a young member of the Islamist insurgency that would eventually topple the communist government in which Mr. Layeq served as a minister into the early 1990s."

via THE NEW YORK TIMES
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Cover of Jennifer Atkinson's book, The Thinking Eye
What Sparks Poetry:
Jennifer Atkinson on "Local History"

The island I called Hag Island in this poem isn’t, after the ten or so years since I wrote 'Local History,' an island anymore, not even at full high tide. What was island has become something more like a hump in the marsh. The salt brook that runs through has shallowed out and shifted. Everyday erosion and hurricane winds will do that."
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