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Long ago, when we met, and had to
separate, you sent a picture
of you squatting by a river,
bathing, your face half-turned, looking
over your shoulder beyond me
into a monastery, and beyond that,
daughters hanging threadbare laundry.
We were ourselves
so young. I longed for your return,
and in springtime, although the wildflowers
were few, we lived together.
Hundreds of fireflies
accompanied us in dream,
swarming in the birches
out the uncurtained windows.
They alarmed us, and the cries of returning geese
drove us farther under the covers.
We never stopped talking of their beauty,
although the years parted us forever.
In the full moon’s light
on an empty bed,
the white geese, melting snow
and firefly glow dissolve.
I forgot to give you a parting gift.
Then silence. Not to be confused with emotion.
Anise rises from the village.
And a missing apricot tree
becomes as massive as the past.
The five white petals of its blossom
survive as I do,
as spring energy
in an aging body.
Another night of a big moon.
I roll in and out of its light, wondering,
late autumn, how is it
that I could lose my first love
as carelessly as a line of verse
that made the whole work.
Not that art perishes.
Nor is love
only about pleasure.
I still need to thank
the old gods in the rocky earth
for all that has happened.
This stick will have to be a tree.
from the book PAPER BANNERS / Copper Canyon Press
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"Micheal O’Siadhail on the Pleasure of Writing Poems by Hand"

"As a poet I belong to the pencil, sharpener and eraser generation. I always trust a pencil. Ink is too indelible and it inhibits me. There is comfort in knowing that my first stab can be erased. Only in pencil do I dare the blank page.'"

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What Sparks Poetry:
Eli Payne Mandel on Reading Prose


"As a poet and therefore complicit in the making of poems, I have tried to weasel out of this problem—the problem of poems in and against the world—by writing prose poems and poems about prose. Conventionally, the world is prosaic. It unfolds in ribbons of tweets and advertisements. Also: graffiti somewhere in the northern Italy. If my poems attended to and participate in this prose, perhaps they would tell me, or you, something about the crisis we call the present."
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