The People's History of 1998
Gbenga Adesina
France won the World Cup.
Our dark-goggled dictator died from eating

a poisoned red apple
though everyone knew it was the CIA.

We lived miles from the Atlantic.
We watched Dr. Dolittle, Titanic, The Mask

of Zorro. Our grandfather, purblind and waiting
for the Kingdom of God, sat on a throne in his dark

room, translating Dante.
The Galileo space probe revealed

there was an entire ocean hiding beneath a sheet
of ice in Jupiter's moon.

The Yangtze River in China lost its nerve
and wanted vengeance.

Elsewhere a desert caught fire.
We got a plastic green turtle and named it Sir

Desmond Tutu.
A snake entered our house through the drain

and like any good son, I ran
and hid under the bed.

Google became a thing.
Viagra became a thing.

In July, it flooded at night and a wind nearly
tore off our roof. I thought God is

so in love with us,
he wants to fill us with himself.

My mother, I saw her through a slit in the door, a glimpse
of amaranth-red scarf and swirling yellow skirt.

She thought no one was looking. She was dancing in a trance
to Fela Kuti. She laughed and clapped

at the mirror. It was the year our house became a house
of boys and girls, and a ghost, our little sister.

Calmaria. That's what the Portuguese called it. When it rained
and the world was suddenly becalmed, we would run

and peel out of the door, waving at the aurora
of birds flitting past in the sky.

We knew one of them, the little one, used to be one of us,
those spectral white egrets.
from the journal THE PARIS REVIEW  
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Karen McCarthy Woolf, Raymond Antrobus and Carl Phillips
"TS Eliot Prize for Poetry Shortlist Contains ‘A Strong Strain of Elegy'"

"Raymond Antrobus, Carl Phillips and Karen McCarthy Woolf are among the poets shortlisted for the 2024 TS Eliot prize....‘Our shortlisted poets are wonderfully diverse in style, theme and idiom, embracing myth, pop culture, sport, faith, trans identity, AI – a gamut of present and past life,’ said poet and judging chair Mimi Khalvati."

via THE GUARDIAN
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Cover image for Caulbearer by Luisa A. Igloria
What Sparks Poetry: Luisa A. Igloria on "Caulbearer"

"It is believed that the child, this caulbearer, is marked with a kind of otherworldly protection; some say, even second sight—because for no matter how short a time, it knew what it’s like to inhabit a space in its transit from one world to another. For me, what we bring into poems as well as the poem itself lives in this same kind of liminal territory. It’s as if in the poem we are allowed a veiled glimpse of visions and insights from feeling and remembrance, mingled with the facts of our real and imagined lives and circumstances." 
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