the pollen touches the stigma
Cecilia Vicuña
Translated from the Spanish by Daniel Borzutsky
feels
the
female              fe    faith
and unleashes
                   cun
                   dándalo

                         spreads

a strand                dating           pain
of love                      it
thread


        Territories of pollen
        are sensitive to sound

        Playing their trumpets,
        the Desana precipitate
        pollination

        The particles
        of masculine pollen
        then fall on
        the feminine
        part of the palm


                        Polen
                        Pulvis
                        Powder


        “Death of the pollinators”

        Bee  bat  moth  bird  butterfly

        all dying out


                        Penetrate
                        Little Pollen
                        Dust

        who will come?

        who will feed us?

                 Polvito
                 Polen
                 Polvar

The miriti palm
hears the blare
and gets excited

           (the palma and the trumpet
           are bisexual
           and are always played
           in pairs)



         In Flanders women
         displayed their privates
         to flax

         At the sight of vulvas
         the plants grew
         with great velocity

         Down with dresses!
         up with plants!

         Pollinated plants!




el polen toca el estigma

siente
a  la
hembra
y suelta
una              fe   
hebra
un                cundán
hilito                   dolo
de
amor

        “Los territorios del polen
        son muy sensibles al sonido”

        “Al tocar las trompetas
        los Desana precipitan
        la polinación”

        “Así los granos de polen
        masculino caen
        sobre la parte femenina
        de la palma”
     

La palma mirití
oye el sonar
y se excita
por el solo
deseo
e'gozar
                (la palma y la trompeta
                son bisexuales
                y siempre se tocan
                en pares)

                Las mujeres europeas
                le mostraban sus partes
                al lino.

                Viendo la vulva
                las plantas crecían
                a todo velocidad.

                vestido abajo!
                planta arriba!


      e  l    p  o  l  e  n    s  u  b  i  e  n  d  o    p  o  r    l  a  s    h  e  r  i  d  a  s

Polven
Pulvis
Polvar

     I am reading the news:
     “Death of the pollinators”
     Bee   bat   moth   bird   butterfly
     every possible critter dying out.



                        Polvito
                        Polen
                        Polvar

        who will come?
        who will keep alive
        our food supply?


                   Polvito
                   Polen
                   Polvar

the poem
is pollen
          falling

                   en tí
                   y en
                   la flor

     death on land
     death on sea

                pollen come!

                         polvito
                         polen
                         polvar


       only death is alive

            polvito
            polen
            polvar
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covers of The Prelude by Marty Cain, Discipline Park by Toby Altman, and Death Styles by Joyelle McSweeney
Lloyd Wallace on Altman, Cain, & McSweeney

"The poem as a thing to be tolerated, an uninvited presence, like a crick in the neck, maybe, or a song stuck in one’s head, or an interloper one must invite into one’s home and feed until they’ve had their full. It’s tough not to be reminded of Baucis and Philemon, the old married couple who, after inviting disguised-as-a-beggar Zeus into their home, were rewarded for their hospitality by being transformed at death into a pair of intertwining laurel trees, and thus given a future without apartness. A death that grew into a life."

via WEST BRANCH
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mercury firs graphic
What Sparks Poetry:
Ian U Lockaby on Edward Salem's "Fullness"


"In Edward Salem’s poem “Fullness,” thought is derailed, not from the first instant but nearly, and in each subsequent instant the poem expands and contracts simultaneously in a dissent against time and space, as it leads us to a divine, non-existent anal inner mountain, where there is nothing (and everything) to be seen (at once). Operating intertextually with a Godhead in its poetics of negation, the poem manages, paradoxically, to build possibility through its persistent negations. Each time a line of argument becomes discernable, it’s quickly and forcefully wrought back around its own tail, creating coils of energy in refusal."
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