The prose poems in the book allowed me to play with speculative measures within the seemingly fixed parameters of the sentence and the prose block, while their cool-eyed speaker simultaneously kicks at worn-out records, preventable accidents, and other auto-rhythmic effects of seemingly fixed civic and social parameters. This one is the coldest. It appears in the book after a really good dream of an alternate future, one that dissipates but nonetheless leaves a frustrated desire for softer wrecks, exquisite care, and queer possibility ambulating in its wake. |