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Leah Nieboer

THINGS HAD GONE BACK TO BEING WHAT THEY WERE. a couple rocking across the television, the scratch of the needle on a worn-out record—if I were trying to get to Tuskegee, what exit would I take? another accident flagged on the shoulder, a line of cool-eyed Madonnas at the roadside market, had I left a little lipstick on the pillow, we had left a surgical silence, a tear in the vertical.—warm me up

instead with your guesses, dumb suggestions, the truth loops itself out of eyeshot a million miles below the interstate. the years. go and go—before I could say what was real and what had gone galloping through my dreams . . . I did get to where I was going next, I stood on a roof half-dressed watching a jet wake stretch itself into the most insane blue you’ll ever in sunlight see.

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The prose poems in the book allowed me to play with speculative measures within the seemingly fixed parameters of the sentence and the prose block, while their cool-eyed speaker simultaneously kicks at worn-out records, preventable accidents, and other auto-rhythmic effects of seemingly fixed civic and social parameters. This one is the coldest. It appears in the book after a really good dream of an alternate future, one that dissipates but nonetheless leaves a frustrated desire for softer wrecks, exquisite care, and queer possibility ambulating in its wake.  
A Conversation with Shane McCrae & Jana Prikryl

"I think narrative is underused in poetry, but I also think I understand why it’s underused—it became exhausted. So much narrative poetry of the last fifty years or so has been linguistically flat, uninteresting, as if it were achievement enough to tell a story with line breaks."

via THE NEW YORK REVIEW
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What Sparks Poetry:
Lena Crown on Taneum Bambrick's Vantage


"No tagline could hold all that Bambrick has achieved: a sweeping portrait across time of a community beholden to a single, monumental piece of infrastructure, a queer coming-of-age, a specific yet universal story of ecological death and climate resilience. This is a landscape where the drowned and concealed do not stay that way; monoliths crack and water levels fall, revealing what we’ve jettisoned, sacrificed, tolerated into obscurity."
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