Lance Larsen
These strands of twisting wires keeping horses there
and me here is called a fence. Tears form and tears
fall from above and we call it rain. If it freezes,
as it's trying to do now, we name it snow, even if sun
flares from the east as it does in sparkly postcards
from Colorado. And this patch of dead grass
hurtling through time and tomorrow is part of a blue
sphere we call earth. We rarely send earth thank-you notes.
It is easier to worry about spiced tea and poinsettias
and our cousin's accident and winter solstice
and a late mortgage payment and future orgasms
and where in the valley one can buy decent focaccia.
My left hand is cold, my right hand colder,
and I wonder how long can I lean on this fence watching
it snow? The wet stuff collects on the back of a white
horse, a matching blanket. It falls too on the back
of this black mare but immediately melts.
This is how mystery and beauty collude, how weather,
even the weakest trickle of sun, fills me
with questions. Tonight I will look at the sky and link
winking stars into creatures and call it astronomy.
And I'll look inside and see more broken creatures
and call it middle age, call it longing, call it where
are all the sweet rivers I used to swim? I'll talk to the dark
I'm walking through and call it prayer. I'll chew
on it, sing cracked psalms to it, even cough it out,
and pretend it has no place in me. But that's for later.
Right now, colors are streaming through this camera
called the eye, starlings flicking and flirting, flapping
and finessing. My hands are still cold, my breath
vapor. I'm the only person leaning into this field,
this story problem in stillness, one horse white,
one black, a little snow, a little sun. How long will earth
hold me in its tender mouth? I count backwards
from 100. An orange cat weasels by. Robins
scrap over a rosehip. I have no idea what I'm counting.
from the journal THE SEWANEE REVIEW
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A photograph of Irving Rosenthal by Allen Ginsberg
"Irving Rosenthal, Low-Profile Force on the Beat Scene, Dies at 91"

"Irving Rosenthal wasn't famous like the Beat figures he associated with—Jack Kerouac, William S. Burroughs, Allen Ginsberg and others. But he was an integral part of their scene. In fact, he propelled it forward at a crucial time. In the late 1950s Mr. Rosenthal was a graduate student at the University of Chicago and the editor of its affiliated journal, Chicago Review. He and his poetry editor, Paul Carroll, were fond of the Beat writers who had emerged on the West Coast and elsewhere and began publishing them."

via THE NEW YORK TIMES
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Cover of Billy-Ray Belcourt's book, This Wound is a World
What Sparks Poetry:
Billy-Ray Belcourt (Driftpile Cree Nation, Alberta) on Ecopoetry Now 

"On the coast of Lesser Slave Lake, some of the Canadian government's most brutal forms of colonial oppression played out. I wonder what it means for a lake to be witness to all of it. In a way, that trauma is inscribed in the lake's ontological fabric. But, more importantly, I see the lake as proof of my people's indomitability. The lake precedes the political project of Alberta, of Canada; it precedes the concept of the settler state. The lake has been and continues to be a locus of Cree livability."
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