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4:

The end of the story is a car   abandoned by the Golden Gate
but once   in the black pool that drowned the hours   alive
there was no end   there was a man who brooded over the keys
his baby grand afloat the water   a whisper without caller or called
I   want to say the wound goes deeper   each end has another
let death wait   we have another pressing matters   ask the cry
that brought us into the world   ask the tiny circle inside us all
where none of it matters   but still   you cry   you play your love
ballad to an empty room   rings of smoke blow over the sands
of the Presidio   black bile runs in a keyboard's hands   surprise 
remember the bus north of harbor   how it stopped in the woods
to let the black bear cross   and everyone looked at each other
you me crow bear   powerless and still   before the eyes of strangers


:4

The poem creates the distance it must cross? Yes, it does.
Makes itself a bridge above the dark hours? Yes.
And you're telling that broken water rises? I am.
And some pleasure whispers on the surface? That's right.
A wound works its way through me, mouth to anus? It's true.
Matter teaches me to sing by singing in the emptiness. Yes it does.
The world is a circle inside us all? So it's been said.
The poem creates a circle around all it loves? Yes.
But leaves me out, smoke in an empty room? That's right.
Black bile turns the soul melancholy? According to the books.
I don't remember reading any books. You've read many.
I remember a black bear standing up by the side of the road. Yes.
And a bridge across which all grew stranger. Yes, stranger. That's this bridge.
from the book THERAPON / Tupelo Press
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Throughout the pandemic, Bruce and I passed poems back and forth, an experiment in poetic ethics of a kind, how one poem can listen to another and build itself out of a sense of primary responsibility to the other’s voice. The echo of such attention can be felt here—melancholy’s black bile, the black bear, the loose sense of call and response.

Dan Beachy-Quick on "4:" and ":4"
Ten Years After The Death of Seamus Heaney

"The generosity and warmth of the poet as a public figure is, of course, one of the reasons why he was and is beloved by many—not least those who, in huge numbers, encountered him in person through a lifetime of lectures, readings, workshops and launches. He once joked that one day his unsigned books would be more valuable."

via THE CONVERSATION
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Cover of Tarta Americana
What Sparks Poetry:
J. Michael Martinez on Reading Prose


"I wanted to understand its syntactic logic of worlding, and, so, I mirrored Angello's process: in my work, I chose to meditate, word by word, on the chorus of Ritchie Valens' "We Belong Together." The prose poem sequence that emerged became a structuring force for the book as a whole; the sequence's prose ruminations on temporality, the body, and love, spread out across the book, acted as scaffolds to Tarta Americana's overarching themes."
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