Katy Didden
I thought bloom
was a single motion—

a force that
splits the sepal,

bends buds back.
But sped on film,

in the way
the weight of water

slows the motion
of human limbs

the petals swim.
So air is a body,

another sea!
and like the body

after bloom
peonies retract—

complex syntax
where the full splay's

a subordinate clause:
it's this re-saying

that describes the wave
and proves death's just

the worlds kept shut
in us re-opening.
from the journal WEST BRANCH
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In the early days of the pandemic, I watched a lot of time-lapse videos on YouTube. If Covid made familiar things (like groceries and hugs) suddenly strange, watching these videos was like a free fall into strangeness, but one I could control. They gave me the feeling of moving (temporarily) outside time; more precisely, they helped me understand that time and space, which contain us, simultaneously contain things, each with their own rhythms—the world is far vaster than we can perceive. Somehow, I found this consoling!
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Color photograph of Naveen Kishore, founder of Seagull Books, seated in his office
"Interview with an Indie Press: Seagull Books"

"Seagull has been dedicated to publishing literature in translation with the conviction that translations build bridges across cultures. This is how we 'disrespect' boundaries. Boundaries that are man-made, nation-created. This has always been the philosophy and politics of what we do."

via LITHUB
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Cover of Red Pine's translation of Lao-tzu's Taoteching
What Sparks Poetry:
Christian Stanzione on Lao-tzu's Taoteching

"Whatever is between the subjective and the objective is what we want to experience. Some call this a return to the 'unmediated experience,' others 'theosis,' others 'things-in-themselves,' and others still 'objective properties.' So far as I can tell, Lao-tzu calls this process of moving towards the objective becoming virtuous."
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