Tony Hoagland
Because it is all right to be in a bad mood there,
slouching along through the underground garage,
riding wordlessly on the elevator with the other customers,
staring at the closed beige doors like a prison wall.

I like the hospital for the way it grants permission for pathos
—the mother with cancer deciding how to tell her kids,
the bald girl gazing downward at the shunt
installed above her missing breast,

the crone in her pajamas, walking with an IV pole.
I don't like the smell of antiseptic,
or the air-conditioning set on high all night,
or the fresh flowers tossed into the wastebasket,

but I like the way some people on their plastic chairs
break out a notebook and invent a complex scoring system
to tally up their days on earth,
the column on the left that says, Times I Acted Like a Fool,
facing the column on the right that says, Times I Acted Like a Saint.

I like the long prairie of the waiting;
the forced intimacy of the self with the self;
each sick person standing in the middle of a field,
like a tree wondering what happened to the forest.

And once I saw a man in a lime-green dressing gown,
hunched over in a chair; a man who was not
yelling at the doctors, or pretending to be strong,
or making a murmured phone call to his wife,

but one sobbing without shame,
pumping it all out from the bottom of the self,
the overflowing bilge of helplessness and rage,
a man no longer expecting to be saved,

but if you looked, you could see
that he was holding his own hand in sympathy,
listening to every single word,
and he was telling himself everything.
from the book TURN UP THE OCEAN / Graywolf Press
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Color screenshot of gameplay from the video game,Emily Blaster
Video Games with Emily Dickinson

"Ever wanted to play a computer game based on the poems of Emily Dickinson? Well, now you can, with the release of EmilyBlaster, a 1980s-style game in which players must shoot words out of the sky to correctly recreate Dickinson’s verse.”

via THE GUARDIAN
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Cover of Suji Kwock Kim's book, Notes from the Divided Country
What Sparks Poetry:
Sarah Audsley on Suji Kwock Kim's Notes from the Divided Country


"It was 2011, at The Frost Place Conference on Poetry after Vievee Francis’s talk. Afterward, when I became a bit emotional—her talk opened me up; the best talks do; I cried—she looked at me and told me to read Suji Kwock Kim, to search out and to read poetry by Korean/Korean American poets. As an adoptee, born in South Korea and raised in rural Vermont, this was a decisive moment for me."
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