This film series—presented in conjunction with the special exhibition Everywhen: The Eternal Present in Indigenous Art from Australia—highlights the contribution that Indigenous filmmakers have made and how they are reshaping cinematic representations. Whether working independently or collaboratively, Indigenous peoples are taking ownership of their self-representation in documentary, musical, social realism, and avant-garde cinema.
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Join us for weekly Sunday matinee screenings during the run of the series. Free admission.
All screenings below will take place in Menschel Hall.
This month:Â
Sunday, March 6
1–3pm
Sunday, March 13
1–3pm
Sunday, March 20
1–3pm
Sunday, March 27
1–3pm
The film series is cosponsored by the Harvard University Native American Program; the screenings of The Tracker and Charlie’s Country are also sponsored by Harvard’s Peabody Museum of Archaeology and Ethnology.
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Support for this program is provided by the Richard L. Menschel Endowment Fund.
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Lead support for Everywhen: The Eternal Present in Indigenous Art from Australia and related research has been provided by the Harvard Committee on Australian Studies. The exhibition is supported by the Australian Government through the Department of Foreign Affairs and Trade and the Australian Consulate-General, New York.Â
  
  
 
 
  
  
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