Good morning. ⛅ Happy Monday! In this edition, scholar and critic Erin Thompson recently went to Nepal to investigate the repatriation of historical art and found herself drawn into the country’s vibrant contemporary art scene.
Good morning. ⛅ Happy Monday! In this edition, scholar and critic Erin Thompson recently went to Nepal to investigate the repatriation of historical art (her article from December) and found herself drawn into the country’s vibrant contemporary art scene. She has a report on the work she encountered in Nepalese artist studios. We also look at street art around the world that is in support of Ukraine, the Warhol copyright dispute going to the Supreme Court, the incomplete provenance of a major gift of Tibetan Thangkas to three US colleges, and much more. — Hrag Vartanian, editor-in-chief The work of many of Nepal's contemporary artists suggests that the distinctions between labels like ancient and modern, or foreign and Nepali, will blur if you shift your point of view. | Erin L. Thompson French street artist Big Ben's "L'ogre" (2022) in Lyon, France (courtesy the artist) David Zwirner is pleased to present a selection of works by American artist Fred Sandback that together highlight his wide-ranging formal vocabulary and treatment of space. On view at the gallery’s 34 East 69th Street location in New York. Explore available works and plan your visit. Does public artwork left in ruin impact community mental health? | Meghan Pursell Sama Alshaibi’s Four Series draws on historical sources, contexts, and techniques to articulate the definitions and exploitations of freedom. | Coco Picard Join us in-person or virtually to immerse yourself in essential art-making strategies, experiences, and discussions that will infuse your work with new direction and vivacity. Learn more. A vigorous advocate for the avant-garde, the filmmaker often neglected to promote himself. | Nolan Kelly Thomson's videos conjure up the weird sublimity of internet wormholes, the familiar, swaddling mindlessness of allowing oneself to be swept up in a deluge of content and carried — where? | Cassie Packard Popular perceptions of van Gogh are often preoccupied with heart-wrenching accounts of mental illness, but Van Gogh: Self Portraits avoids speculative psychoanalytic readings of one tortured face after another. | Olivia McEwan Become a member today to support our independent journalism. Your support helps keep our reporting and criticism free and accessible to all. |