Before we get into today’s stories, allow me to shout out our talented News Editor Valentina Di Liscia and Staff Writer Rhea Nayyar for an excellent radio segment yesterday on WNYC’s All Of It, where they discussed New York’s art fair season with host Alison Stewart. Take a listen to the interview here. Meanwhile in the news, the Noguchi Museum in New York terminates three workers for donning Palestinian keffiyehs, sparking staff-wide outrage, and researchers uncover a long-lost bronze hidden in the Titanic shipwreck.
There’s more, including Kathia St. Hilaire, Henry Moore, Eric Avery, Mickalene Thomas, and an opinion piece by the Museum of Pop Culture’s CEO Michele Y. Smith on why museums should take their educational role more seriously.
|
|
|
|
And did you know that we’re throwing a 15th anniversary party in Brooklyn on October 9? Tickets are available now for Hyperallergic Members. To join us as a member, visit hyperallergic.com/membership. |
|
|
|
— Hakim Bishara, Senior Editor |
|
|
|
|
You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a paid member. |
Become a Member
|
|
|
|
|
The gallery attendants refused to comply with the museum’s new policy, which they told Hyperallergic goes against their own values and those of the institution. | Valentina Di Liscia
|
|
|
|
SPONSORED
|
|
|
The New Bedford art institute wins the city’s first NEA Challenge America Award, paving the way for a new commission by artist and architect Mona Ghandi (Morphogenesis Lab). Learn more
|
|
|
|
LATEST NEWS
|
|
A voyage to the Titanic shipwreck pinpointed the location of a bronze replica of the Louvre Museum’s “Diana of Versailles,” last photographed in 1986.
Work on the long-awaited building project for NYC’s historic art squat ABC No Rio has begun, opening a new chapter for the collective-turned-nonprofit.
David John Voss received a five-year sentence for his role in an art fraud ring that forged thousands of works falsely attributed to late Anishinaabe artist Norval Morrisseau.
|
|
|
|
FROM OUR CRITICS
|
|
Moore’s drawings made in underground shelters during WWII show us strangers whose lives had been shredded by grief, despair, and fear. | Michael Glover
|
|
|
|
SPONSORED
|
|
|
Discover SAIC’s graduate programs, get insights on the application process, and receive expert feedback on your portfolio. Learn more
|
|
|
|
|
Thomas’s shimmering collages are, among other things, meditations on and appreciations of Black female beauty and sexuality. | Alexis Clements
|
|
|
|
Like the narratives she portrays, St. Hilaire’s artistic technique is layered and complex, and reflects vernacular cultural aesthetics and practices. | Natalie Weis
|
|
|
|
SPONSORED
|
|
|
The Rabkin Prize celebrates the creative and intellectual contributions of today’s arts writers and comes with a $50,000 unrestricted award. Learn more
|
|
|
|
MORE ON HYPERALLERGIC
|
|
Art museums should take their educational role more seriously, and offer more creative programming for schools and their students. | Michele Y. Smith
|
|
|
|
In a career that stretches across a catastrophic half-century of health crises and wars, Avery applies his activist and empathetic social conscience to all he does. | John Yau
|
|
|
|
SPONSORED
|
|
|
Women figurative realist painters can propel their careers by entering to win $50,000 and a traveling solo exhibition of their work. Applications are open through October 4. Learn more
|
|
|
|
FROM THE ARCHIVE
|
|
Since antiquity, women’s eyebrows have been sites of intense scrutiny, constantly shifting between trend cycles. | Isabella Segalovich
|
|
|
|
You’re currently a free subscriber to Hyperallergic. To support our independent arts journalism, please consider joining us as a paid member. |
Become a Member
|
|
|
|
Hyperallergic, 181 N 11th St, Suite 302, Brooklyn, NY 11211, United States
|
|
|
|
|