April 18, 2022 • View in browser
Good morning. 🌧️ Happy Monday! Today, Anna Souter reports about the Sámi Pavilion at this year’s Venice Biennale, a former Japanese princess is volunteering at the Met, and reviews of Timothy Hull, Carlos Villa, and an exhibition in Texas focused on printmaking in the Chicano movement.
Also, the response to Seph Rodney’s essay reflecting on six years at Hyperallergic has been incredible. We’ve organized a chat with Seph about art criticism on Twitter Spaces on Monday, April 18 at 3 pm EDT. Join us!
— Hrag Vartanian, editor-in-chief
Venice's Sámi Pavilion Is a Coup for Indigenous Artists
Far from empty wildernesses, the ancestral lands of the Sámi people in the European Arctic are ecologically diverse sites of culture, care, and collective endeavor. | Anna Souter
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LATEST NEWS
Photo of the Year Award: Amber Bracken, “Kamloops Residential School” (2021) for the New York Times. Bracken shows a memorial to the 251 graves found near a residential school in British Columbia.
Matthew Abbott, Lalo de Almeida, Amber Bracken, and Isadora Romero are the winners of the 2022 World Press Photo Awards.
The Dalí Museum in St. Petersburg, Florida, will partner with the company behind Van Gogh Alive to create a Salvador Dalí immersive exhibit.
Former Japanese princess Mako Komuro is volunteering at the Met Museum and working on a show of hanging-scroll paintings.
TikToker Clare Brown flips the script on European artists, exposing racial and gender biases embedded in art history.
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Raphael Montañez Ortiz: A Contextual Retrospective Opens at El Museo del Barrio
This is the largest exhibition to date on the artist, activist, educator, and founder of New York City’s El Museo del Barrio. Learn more.
ART & BOOKS
The Breakthrough Retrospective of Carlos Villa
After an early career as a minimalist, Villa’s turn toward cultural expression was influenced by his study of Oceanic and African art to fill in the lacuna of Filipino art in art historical narratives. | Vina Orden
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The Print Center Announces A Brand New End: Survival and Its Pictures With Carmen Winan
On view in Philadelphia through July 16, the project considers the intersections of image making, domestic violence, and the feminist movement. Learn more.
Antiquity With a Side of Mischief
In Plato's Closet, artist Timothy Hull gestures to the opportunities for creative play and repurposing that looking backward can pose. | Cassie Packard
In the Chicano Movement, Printmaking and Politics Converged
Printmaking, especially screen printing, has been a key tool for Chicanos to communicate who they are and what they care about since the 1960s. | Lauren Moya Ford
A Photographer Captures the Magic of Venice's Churches
100 Churches of Venice and the Lagoon by Alejandro Merizalde features religious temples from every corner of the Italian city and its islands. | Jasmine Liu
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