| | | |  | | | Ka’amed and Monykuoch for Botter, 2022
© Viviane Sassen and Stevenson (Johannesburg / Cape Town / Amsterdam). | | | | | | | 21 September 2024 – 12 January 2025 | | | | Opening: Friday 20 September 18:30-21:00 | | | Benjamin Li » In Search of Perfect Orange | | | | ... until 1 December 2024 | | | | | | | ... until 27 September 2024 | | |  | | | Foam Fotografiemuseum Amsterdam Keizersgracht 609 . 1017 DS Amsterdam
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| | | | | | | | | |  | | | Eudocimus Ruber, from the series "Of Mud and Lotus", 2017
© Viviane Sassen and Stevenson (Johannesburg / Cape Town / Amsterdam). | | | | | | Phosphor: Art & Photography | | | | 21 September 2024 – 12 January 2025 | | | | Foam is thrilled to present the first large-scale retrospective of the Dutch fashion photographer and artist Viviane Sassen in the Netherlands. The exhibition PHOSPHOR: Art & Fashion, which comprises more than 200 works, reveals over thirty years of her multifaceted career bringing together photography, collage, painting and video. The exhibition serves a significant homecoming for Sassen, following her first museum showcase at Foam in 2008 titled Flamboya. | | | | | |  | | | DNA, from the series "Lexicon", 2007
© Viviane Sassen and Stevenson (Johannesburg / Cape Town / Amsterdam). | | | | | | The Dutch contemporary artist Viviane Sassen rapidly gained worldwide recognition, both in the fashion industry and in the photography world. Her distinctive and eclectic visual oeuvre will fill almost the entire building of Foam. This exhibition will shed light on Sassen’s creative process by focusing on two main themes: the incessant search for new photographic forms and the importance of intimacy in her work.
The exhibition features iconic series, including Flamboya (2008), Umbra (2014) and Parasomnia (2011), along with unseen archives, mixed-media works that blend photography, painting, collage and video. | | | | | |  | | | Self Portrait, 1990
© Viviane Sassen and Stevenson (Johannesburg / Cape Town / Amsterdam). | | | | | | Sassen's fashion photography for brands such as Louis Vuitton and Dior will be presented in a monumental installation. Early experiments with objects from her personal archives, her initial self-portraits, and her final photo project from her studies illustrate the beginnings of Sassen's visual language. These images are being showcased for the first time in the exhibition PHOSPHOR: Art & Fashion.
Sassen's oeuvre explores both the depths of human emotion and the boundaries of artistic expression. Death, sexuality, desire and connection with others are all motifs that structure her work. Renowned for her adept use of saturated colours, mastery of light and shadow, and distinctive depictions of the human body, Sassen's work is a testament to her artistic language. For Sassen, photography is a magical medium. For her, photography is like a mirror that reflects what is already inside us, and likewise a portal to another universe with infinite possibilities. She sees endless worlds to discover. | | | | | |  | | | Adidas X Pharrell, 2017
© Viviane Sassen and Stevenson (Johannesburg / Cape Town / Amsterdam). | | | | | | The exhibition is organised in collaboration with The MEP in Paris and their curator Clothilde Morette and was shown during Kyotographie in Japan and at Fotografiska in Shanghai. Now the exhibition is coming to Sassen's hometown.
Viviane Sassen (1972, Amsterdam) is a mixed-media artist. She studied fashion design, followed by photography at the Utrecht School of the Arts (HKU). Sassen spent her childhood in Kenia, where her experiences served as the initial inspiration for her images. She later returned to Africa, creating the series Flamboya (2008), Parasomnia (2011), and Lexicon (2014), through which she gained recognition with a broader audience. Sassen is acclaimed for both her visual art and innovative fashion photography, with numerous publications in her name, including in New York Times Magazine, i-D, Numéro, POP, AnOther, and Dazed. Additionally, she has collaborated with renowned fashion brands such as Miu Miu, Louis Vuitton, Dior, Cartier, Armani, and Hermès. Her work has been exhibited worldwide, and in 2007 she was awarded the Dutch art prize Prix de Rome. | | |
| | | | | | | | | |  | | | Untitled work from the family archive
© photographer unknown / courtesy of the artist. | | | Benjamin Li » In Search of Perfect Orange | | | | ... until 1 December 2024 | | | | Foam 3h presents In Search of Perfect Orange, a playful exhibition by Rotterdam-based conceptual artist Benjamin Li. Through his work, Li explores themes like identity, belonging, labour and cultural heritage, using food as a lens through which to delve into these complex subjects. The exhibition setup takes inspiration from the 'Chinese-Indisch' restaurant, a culinary genre partially shaped by the colonial history of the Netherlands. | | | | | |  | | | Nr.25 Tjap Tjoy met Cha Sieuw, Azië, Boxmeer, 2022
© Benjamin Li. | | | | | | Since 2014, Li has visited over 1,000 'Chinese-Indisch' restaurants across the Netherlands, creating an archive of menus, tableware, and personal stories. Through photography, video, sculptures, and puzzles featuring images of 'Chinese-Indisch' dishes, he explores the richness, variety and charm of these restaurants. However, for Li the restaurants represent more than just culinary enjoyment; they symbolize his family's resilience and a broader journey towards integration for the Asian diaspora within Dutch society. Many of his relatives, including his parents, have worked in restaurants to build a life in their new homeland. Through his art, Li honors these establishments, though often misunderstood, highlighting their cultural and historical significance. In doing so, his work challenges stereotypes and prejudices faced by Asians in the Netherlands, focusing on identity, representation, displacement, foodways and a sense of home.
His recent publication, the Chinese-Indisch Restaurant Stickeralbum which will be part of the exhibition, invites the public to engage with this heritage in an interactive way, encouraging the collection and exchange of stickers that celebrate it. The exhibition centers a large round table featuring a rotating art piece inspired by halma, which is commonly known best as Chinese checkers. The pawns of the game resemble roses carved from carrots, paying tribute to a practice by Li’s father. Through this immersive setup, Li's work navigates the delicate balance between exposing the absurdity of certain stereotypes and fostering a reappraisal for the beauty and heritage of the 'Chinese-Indisch' restaurant. | | | | | |  | | | Spread from Chinees-Indisch Restaurant Stickeralbum by Benjamin Li
with untitled work from family archive © photographer unknown / courtesy of the artist. | | | | | | Benjamin Li (1985) is a conceptual artist based in Rotterdam. He holds a bachelor’s degree in Psychology and Photography and a master’s degree in Media Design and Communication and completed a two-year residency at the Rijksakademie in Amsterdam. His work has been exhibited in LAM Museum, Stedelijk Museum Schiedam, Noordbrabants Museum, among others, and is included in various museum and corporate collections such as SPACES Art Collection and AkzoNobel Art Foundation. In 2018 he was nominated for the Volkskrant Visual Arts Prize and received a grant from the Mondriaan Fund.
Foam 3h is a project space in the museum where recently graduated artists and photographers are invited to present their first solo museum exhibition. For this space, Foam selects national and international artists who are challenged to experiment, surprise and push the limits of photography. | | |
| | | | | | | | | |  | | | Mugshots.com, N1, from the series Obscurity, 2016
© Paolo Cirio | | | | | | | ... until 27 September 2024 | | | The solo exhibition AI Attacks by Paolo Cirio focuses on the social implications of AI systems, machine learning AI models, and the use of data. Cirio sees AI as a form of automated violence, expressed through surveillance, discrimination, and disinformation. With his work, he challenges power structures by exploring AI for his counterattacks.
The exhibition showcases installations with prints, videos, and artefacts, highlighting his online artistic interventions and activist campaigns and prompting reflection among the general public.
With the support of Ammodo, Foam has been organising the exhibition series Next Level since 2015. The series aims to introduce a broad public to innovative art created by mid-career visual makers who make ground-breaking use of the medium of photography. Foam has invited Paolo Cirio for the Next Level exhibition in 2024. He has been commissioned to create new work that will be premiered in the exhibition. | | | | | | unsubscribe here
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