At Giverny, by rendering landscapes of his own creation, Monet was not so much replicating nature as, in a sense, collaborating with it. Weekend
January 26, 2020 At Giverny, by rendering landscapes of his own creation, Monet was not so much replicating nature as, in a sense, collaborating with it. Adina Glickstein In Agency, Gibson’s unequaled sequel to The Peripheral (2014), characters return from the future, virtually and with a vengeance. Geoffrey Cruickshank-Hagenbuckle SPONSORED A New York-Based, Globally Linked Program for Professional Curatorial Training. Paper, in short, was at one with Picasso’s nature. Michael Glover Fans and critics will tell you that 2019 was a lousy year for consensus in rap. Lucas Fagen David Reed has figured out how to bring illusionism back into an abstract painting while remaining committed to paint-as-paint. John Yau A tree is never just a tree, a water source is never just a water source in the works of Barbara Moore and Sharon Adamson. “They’re all signs of ancestral action.” Carl Little For Maxine Chernoff, language is both the promise and the breaking of the promise. Kate Silzer In this week’s Twitter-heavy edition, the world’s second largest diamond, reviewing American Dirt, gentrification and the Istanbul Biennial, Twitterstorians, emoji RIPs, and more. Hrag Vartanian Forward this newsletter to a friend! If this email was forwarded to you, click here to subscribe Hyperallergic, 181 N11th St, Ste 302, Brooklyn, NY 11211 This email was sent to newsletter@newslettercollector.com. Manage your preferences to subscribe to our daily or weekly newsletters. Forward Preferences | Unsubscribe |
